奇皇后 电视剧

美國仔、缺嘴的、脫窗的、紅毛這四人，三男一女，各自都經歷過一番人事滄桑，因為先天的，或後天的命運捉弄 在活人的世界都混得不好，於是四人組成了一個盜墓集團，向死人下手美國仔負責最主要的工作，缺嘴的和脫窗的旁邊配合，女孩子紅毛則扮鬼把風這一次，他們踫到一宗大好買賣，某大老板的母親新墳內，據說有價值百萬元的陪葬！！經過小心的計劃，這四人深夜驅車來到墳地打開棺材後，果然收獲可觀，美國仔把金銀財寶全裝滿一水桶，交給缺嘴的和脫窗的收拾善後，徑自去找紅毛紅毛和美國仔正在墓地草叢纏綿激情時，不料來了三個也是晚上行動的偷牛賊，因為不滿被紅毛先前扮鬼虛驚，於是把美國仔打死了隨後而來的缺嘴和脫窗，拉住狂奔的紅毛遁入車中，三人急駛脫逃，紅毛悲痛難忍，而曾經和紅毛有過一段情的脫窗這時出言諷刺 紅毛於是和他糾打一起 迎面一輛卡車駛來，缺嘴的緊握方向盤，不料命運弄人，車胎爆裂，三人連車撞上 ！

由孙大伟，陈文茜监制的纪录片“± 2℃”，是第一部记录台湾气候变迁的纪录片。纪录片取名“± 2℃”，源自日前哥本哈根会议的结论，即是未来人类如果要生存，就必须将气温控制在摄氏两度以内。片中模拟台湾未来在全球暖化影响下的可能处境，也分析了台湾的各种“先天不良，后天失调”等问题。陈文茜表示，筹拍此片纯粹是为了教育下一代。这部片子没有版权。可任意传播。

大雪纷飞，落难书生莫稽倒卧金玉奴门前阶上，玉不忍，将他救起，玉父金松为叫化头子，素仗义疏财，慨然留稽在家暂住。稽、玉朝夕相对，互相爱慕，不久结为夫妇。玉、松父女随稽上京赴考，稽高中进士后，却嫌弃两人出身寒微，在客店掌柜唐三朵挑拨下，对他们百般奚落。松不堪受辱离家，玉心碎投江，稽悔恨不已。上任江西知县后，稽被巡按招为婿，却不知新娘正是获巡按救起的玉。洞房之夜，玉偕婢女仗棍在新房相候，棒打薄情郎。稽跪地向玉、松认错，在巡按调解下，玉终允破镜重圆。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.