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电影故事以中日战争末期的东北农村为背景，讲述了战争时期，乾四爷一家的命运轨迹。

《外星也难民》将推出万圣节特别篇。

在一个风和日丽的日子里，大狗史派克和他最宝贝的儿子泰克趴在狗屋前睡觉。泰克被噩梦所惊扰，发出阵阵哀鸣。史派克抱起儿子，慈爱地安慰这只受惊吓的小家伙，并喂了他一口牛奶，父子再次进入梦乡。与此同时，汤姆和杰瑞这对冤家又展开了永无休止的战争，他们从屋内打到院子里，躲避追杀的杰瑞走投无路藏进泰克的狗屋。汤姆不管不顾，追到跟前一阵乱翻，甚至把泰克也提了起来。此举热闹了史派克，他狠狠吓唬了汤姆一顿。杰瑞暂时逃过一劫，而汤姆又勇猛地冲了过来，于是小老鼠又钻进了史派克的嘴里。可怜的史派克父子，注定不会睡一个好觉。

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war.This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.