中餐厅第五季

2020：如此[insert dire adjective of choice here]的一年，就连《黑镜》的创作团队也编不出这样的故事，但这并不意味着他们没有可发挥的余地。《再也不见 2020》是一部喜剧，回顾了这可怕的一年，也许一切尚未结束？在这部具有里程碑意义的纪录片式特辑中，一些全球最著名的人物（虚构）采访结合过去 12 个月的真实影像，交汇成一部叙事合唱曲。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

凯文·哈特在他舒适的家中为观众带来欢笑和砖炉披萨，一起畅谈男性群聊、40岁后的性生活以及新冠肺炎疫情下的生活等话题。

有一天，教书先生罗明（张瑛 饰）租了一间房，就此结识了来自不同社会阶层的房客。他遇到了重情义的士司机梁威夫妇、失业且陷入困境的谭二叔夫妇，以及势利的包租婆、在舞厅工作的白莹（紫罗莲 饰）和来自乡下十分天真的玉芳（梅绮 饰），还有威胁着他们的权势独大者黄大班（卢敦 饰）。不久之后，罗明与白莹成为了恋人并计划结婚。然而，在这个节骨眼上，罗明却失去了工作，两人的财政状况陷入困境。同时，梁威也被公司解雇，而他的妻子正怀孕即将临盆；谭二叔则靠卖血为生，生命岌岌可危；玉芳则遭受了黄大班的侮辱，产生了自杀的念头。