凤姐av

本片讲述了民国年间，观山一族传人封四九的探险故事。故事由为祸一方的郑大帅而起，贪财的他入墓地而死，却引出了一个充满诡计与江湖恩怨的阴谋。观山太保传人封四九为了筹措军饷，应郑大帅嫡子郑东西请求，出山取回郑大帅遗体。郑东西为求稳妥，又命其妹郑小兰找到了与封四九祖上观山太保有仇的，发丘中郎一族后代陈青山一同参与，制衡封四九。一行人开始冒险，谁知进入还未进入墓地，却几番陷入凶险，突破了关门村，草人阵，找到了墓地后，却引发了如潮水般的斗虫来袭。历经艰险下墓后，家奴大烂财突然发难。经年忍辱负重的他只觉现在时机已到。却不成想惊动了阴阳母子棺中的巨大斗虫。开始屠杀众人。封四九的同伴为掩护众人陆续牺牲，最终，陈青山与封四九冰释前嫌。陈青山牺牲自己，保全众人。而封四九最终将墓底宝物用做军饷捐赠。

九叔师徒行医济世深夜误入黄庙村，巧遇富户黄家出殡，天相骤变大雨倾盆。师徒三人只能夜宿破庙，没想到鬼新娘竟当晚托梦寻灵位，九叔掐指一算此事必有蹊跷，在九叔师徒探查黄家命案的过程中，龅牙翠姑频频捣乱，二人斗智斗勇笑料不断，随着黄夫人的死亡真相揭开的同时，真正的较量也随之开启......

任老乐的女儿和李老大的儿子要结婚，可在喝订亲酒的这天，两家却吵翻了。任家要招婿，李家想娶媳，互不相让。还是任老乐有眼光，出了个好主意，要两家凑钱，合买一台手扶拖拉机，这样既成全了孩子的婚事，又添了个好劳力，两全其美。谁知这事却遭到老伴乐婶和李老大的反对。任老乐既当不了老伴的家，也做不了亲家的主，最后，他只得壮着胆子，用房料换了台手扶拖拉机。就在李老大家上梁之喜的时候，任老乐的拖拉机开来了，一下把众人都吸引走了，闹得李老大好不败兴。他一气之下，把会开拖拉机的儿子拽回了家。天下大雨，拖拉机停在空场动不了窝，急得任老乐团团转，他总算把拖拉机拖回了家，又被乐婶关在门外。但是任老乐的苦心到底没有白费，那台手扶拖拉机还真给他争了口气。同李老大的锄把子“竞争”了两个回合，大获全胜。第一次是运肥，弄得李老大“独吞”不成，却累了个四脚朝天；第二次是帮工，使李老大的“竹杠”没敲成，自己倒帮了困难户弯人的大忙。后来任老乐又跟弯人合开了篾器作坊，搞起了多种经营，小日子眼瞧着往上发。为了发家，李老大又订了门亲，因为那家闺女长得五大三粗，还陪送一条带崽的牛。结果一家人病的病、跑的跑，都吵着跟他闹分家，连秧苗都插不上。他更气的是任老乐，不说帮他一把，反而趁机抬高工价。原来这是任老乐下的“以毒攻毒”的药方，为的是给李老大“治病”。李老大终于醒悟过来，认识到自己的错误，两亲家重归于好。

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops.At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it.One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.