电影 阿凡达

小贩孙文光在一次事件中遭高级督察诬陷入狱，出狱后回家，始知旧居已遭卖掉，此时是一名叫七巧的少女居住其中，七巧乃坚女友，但却对孙生出好感。孙住在好友铁木真家中，铁之同居女友波子暗当私钟女郎，被坚召去大逞淫欲，孙知道后找坚痛殴一番。孙被卷入杀人案中，并误杀坚之表弟逃去，坚为了寻出孙，不慎严刑逼青铁及波，最后更导出人命……

那里的孩子，来自孤独的遥远星球。他们就是被冠以“孤僻”、“自闭”等刻板印象的特殊人群，自闭症者。在本部纪录片中，我们称自闭症者为“遥远星球的孩子”。本片拍摄耗时两年多，将从自闭症的定义出发，深入走进自闭症者生活中的点滴细节，从医学、伦理、道德、家庭、生活、工作、梦想等多种角度出发，探索自闭症者独特的心灵宇宙。他们不是特殊的神秘患者，而是拥有与众不同感知方式和思维逻辑的独特个体，是来自遥远星球的孩子。由陈国富导演担任出品人，台湾金钟奖获奖导演沈可尚执导的公益纪录片《遥远星球的孩子》，感人肺腑催人泪下，以一种前所未有的视角和路径探讨孤独症这一至今无法完全解答的谜题。

一帮年轻人在北京动物园门口卖包，没有营业执照常常被警察“光顾”。建军（雪村 饰）是其中一个小伙子，他爱上了大家乐音乐茶座的服务员沈红（范霞 饰）。他为她省钱买栗子，为她挨乘务员狠揍了一顿，为她排长长的队办签证，却还是得不到沈红的爱。更无奈的是，沈红不但一心想着要出国，还投入了建军朋友的怀抱。沈红被流氓纠缠，三舅见状，前去搭救，不料受了重伤身亡。大家成立了复仇队，却搭上了更多人的性命。沈红走的前一天晚上，同意和倾慕自己已久的建军共度一夜，却又节外生枝。焦灼、无奈和迷失，在这晚的滂沱大雨中交织。

IN SHANGHAIIn Shanghai Lou Ye, 2001short FilmIn Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film ."You can guess who they are, but we can never really know "Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "By these words Mr. Lou Ye, I bear you my esteem .