御姐武戏

本片讲述了几个生活在台湾都市里的年轻男女的感情纠葛……“忠孝路”上的繁华景象，遮掩着台北少年的破败思想，香肠族、KTV、电动游戏、霓虹灯、夜生活，已经组成了一个变异的青少年现实环境。为了得到爱人的关心，柔弱女子也可以自导自演绑架事件，但是这种事件的确缺乏现实的操纵，当它一发不可收拾的时候，它已经开始疯狂地吞噬牵扯其中的每一人。于是，在某个堕落的深夜，一道强烈的光束，伴随着激烈的爆炸声响一并归于毁灭。

地方戏曲演员刘馆长和几个弟子一起经营着一家戏馆，戏馆收入微薄，每天只有几个逃票进来的老头，为了维持戏馆生存，刘馆长想尽办法，但收效甚微，他们的生活也陷入了窘境。有一天，戏馆出现了一个年轻漂亮的姑娘段晓蓝，她是戏馆唯一的年轻观众，也成为了戏馆的希望。这期间，因为偶然事件，段晓蓝身上有了解开戏馆困局的办法，为了能让戏馆延续下去，他们带上这唯一的年轻女观众，开始了一段妙趣横生又曲折离奇的疗伤之旅……

描述朝鲜战争后南韩妇女的地位。对争取独立，选择外出工作的女性似带有怀疑态度。A college professor’s wife OH Sun-young discovers a new world since she started working at a boutique. She begins to enjoy wearing dresses that accentuate her features, achieve high sales profits, and dances in the arms of men other than her husband. However, the story takes a turn when she is caught in the hotel with the owner of the boutique who has been seducing her. Madame Freedom was already a famous story since the novelist JUNG Bee-suk wrote the series in The Seoul Shinmun. Despite the controversy on the moral issues between the writer and the critics, the book was published and produced as a play by the theater group Shinhyup. The film also set a new box office record of 130,000 and its success brought the boom of melodrama. Its cultural influence is proven to be powerful enough to shake the foundation of Korean film since there have been 5 sequels and remakes since the original.

佐藤春夫の自伝的小説『わんぱく時代』の映画化で、戦争の影が忍び寄る頃の尾道を舞台に、古き良き時代のわんぱく坊主たちが野を駆け、山を登り、海辺を走る元気いっぱいの活躍を描く。大林監督の“尾道“ものの集大成ともいえる作品。カラー版とモノクロ版が作られ、別々に公開された。