蓝猫淘气3000问恐龙

琪比是一只徘徊在街头的可怜的流浪猫，一位名为须和野时夫的高中生收留了它将它带回了家。虽然须和的妈妈对猫咪过敏，常常会被突然蹿出的琪比吓晕过去，但善良的一家人还是无微不至的照顾着琪比。琪比喜欢上了善良正直的须和，常常希望自己能够在月圆之夜变身成为真正的女孩子和须和走到一起。可惜，须和暗恋着名为美津子的女孩。在伤心之际，琪比遇见了黑猫拉斐尔，拉斐尔告诉琪比，她的真实身份其实是棉花之国的公主。得知自己的身世，琪比决定离家出走，踏上了寻找棉花之国的旅途，一路上，它结识了许许多多的好友，亦经历了诸多令人心惊胆战的风波。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

吉尔·塔克（贝茜·拉塞尔 Betsy Russell 饰）向警方和盘托出竖锯事件的始末，而侥幸逃脱死亡威胁的马克·霍夫曼（科斯塔斯·曼迪勒 Costas Mandylor 饰）则向警方发出警告，势要杀掉吉尔不可。警署上下如临大敌。另一方面，自称竖锯游戏幸存者的波比·达根（肖恩·派特里克·弗兰纳里 Sean Patrick Flanery 饰）高调现身，演讲、出书、接受电视台专访、组织幸存者自救会，风光无限之时名利双收。然而波比只是一个为搏出位的骗子，他的谎话骗过了大多数人，却骗不了竖锯约翰（托宾·贝尔 Tobin Bell 饰）。一场针对波比及其团队的残酷生存游戏拉开序幕……本片为电锯惊魂系列第七部，制作成3D影片上映。

前职业篮球运动员魏国铮（魏翔 饰）退役之后，在一所高校担任篮球教练。从小争强好胜的他一直将正在另一所学校球队执教的同期马教练（艾伦 饰）视为最大竞争对手。结果在一场关键比赛中，两位教练由于场外互殴而双双被取消执教资格。在此之后，魏教练被校长下放到一所特殊学校担任教练。这所名为仁爱之家的学校聚集了一群智力方面存在障碍的大孩子和小孩子，如母如姊的乐光（王智 饰）全心打理他们的一切。魏教练的到来如同一场及时雨，因为这群孩子即将走上赛场参加属于他们的特运会。从来将胜利放在第一位的魏国铮，这一次将体会到不一样的人生……