zozo日本另类极品

Nipple-targeting seagulls. Old men rapping in a bathhouse. Drugs smuggled as Italian pasta. Welcome back to The Mole Song’s world. The third and final part of this series of manga adaptations, by IFFR regular Miike Takashi, is once again loaded with delicious madness.Following Undercover Agent Reiji (IFFR 2014) and Hong Kong Capriccio (IFFR 2017), this time the enemy are Italian mafia smuggling their ‘speed-a-roni’ into Yokohama’s port. Yakuza boss Papilon, fearing for his business, wants to stop them from entering, and so do the Japanese cops: Reiji works for both as an undercover agent. All these complications this give cult director Miike a playground for crazed subplots.At times fooling us into thinking it’s an ordinary action thriller, The Mole Song: Final is a cocktail that smashes together slapstick comedy, farcical fantasy and puppet animation, with Reiji – played again by the energetic and engaging Ikuta Toma - always at the centre of the tornado that just keeps on spinning.

Kōji Shiraishi, who became famous for extraordinary horror films like "Noroi", shot this modern pinku eiga as a revenant of sorts of the classic Japanese soft sex flick, which saw its heyday in the 1970s and ’80s.Underground idol Misa is headhunted by a BDSM club for her supposed—or rather, anticipated—talents as a dominatrix. Seeing the prospect as a challenge at first, the young woman soon uses the S&M sessions to expand her erotic and sexual self-perception by several dimensions at once."Safe Word" is part of Roman Porno Now, a project by legendary Japanese studio Nikkatsu celebrating the fiftieth anniversary of its “Nikkatsu Roman Porno” brand.源自：

This is a really interesting film about how large the universe is and how powers of ten become so drastically distant.It starts out by showing a couple at a picnic in Chicago. It then shows an overhead shot a meter up of the man lying down on the picnic blanket. It then proceeds to zoom out by increasing the distance by a power of ten every ten seconds; 10 to the first meters, 10 to the second meters, 10 to the third meters, and so on.Before long the viewer is above the earth, then the solar system, then the galaxy, then much of the visible universe. The viewer is projected back forward by decreasing the powers of ten every two seconds.After a while the picnic scene is displayed again, but it doesn't stop there. The view returns to the regular speed and goes into the negative powers; ten to the negative first meter, ten to the negative second meter, and so on. The viewer is zoomed into the man's hand, and ends up zooming into a single proton in an atom.

福島県浪江町にある、小さなお弁当屋が舞台。安くてうまい手作り弁当を目当てに、復興の現場で働く作業員やドライバー。避難指示が解除されて戻った、地元の人たちが連日やってくる。除染の仕事を１０年続けている男性作業員。町に生活感が見えないというダンプカーの運転手。近所に誰もいなくても、この町で暮らしたいと語る老女。原発事故から１０年。小さな弁当屋に行き交う人たちの声に３日間、耳を傾ける。