幻影追踪

这部纪录片电影由“黄色大门电影俱乐部”成员现身说法，回顾了成为韩国第一代影迷的狂热电影爱好者的时代，并回忆了对奉俊昊执导的第一部短片的印象。

Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest: Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts & Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor / captain / narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.

昭和8年（1933），日本出兵满洲里，脱离国际联盟，在国际上受到空前孤立；国内经济滑坡，人心不安。时军队内部分为“皇道”和“统制”两派，皇道派认为天皇已成为贪污大臣的傀儡，不知人民疾苦和国家安危。因此一部分年轻军官聚集起来，提出“尊皇讨贼”的口号，意图推翻内阁，成立天皇直接领导的军人政府。昭和11年（1936），以安藤辉三（三浦友和 饰）、香田清贞（胜野洋 饰）、野中四郎（萩原健一 饰）、河野寿（本木雅弘 饰）、中桥基明（うじきつよし 饰）、栗原安秀（佐野史郎 饰）、矶部浅一（竹中直人 饰）、村中孝次（隆大介 饰）等8人为首的陆军下级少壮派军官商议，定于2月26日发动名为“昭和维新”的军人武装政变。是日凌晨，1500名全副武装的年轻军人冒着风雪冲进了政要的府邸……

这是第二次世界大战之后，导演黑泽明的第一部电影．以战时曾经引起轩然大波的京都大学教授龙川事件，鸠山文化部大臣军阀主义的盛行，而将鼓吹自由主义的京都帝国大学教授龙川开除，当时遭到京都帝国大学上下一致的反对。此外并以卓鲁格国际间碟事件做为背景，描写女主角幸枝于战争中所遭遇的种种，进而批判战争以及当时盛行的法西斯主义。片中后段描写决定独立的幸枝所遭遇的苦难，她跟随野毛之后，初尝爱情的幸福滋味，但好景不长，野毛由于暗地从事反战运动而终生入狱，幸枝也因此每天被特务逼问受尽屈辱。而担任此案件的检察官竟是当年的同学系川。幸枝被释放之后，回到野毛所深爱的故乡，与野毛的双亲一起渡日。日本在战败后，民主主义盛行，八木原教授又回到学校中，幸枝则决定从事农村文化运动。片中的幸枝并非日本过去的传统女性，而是经过战争及战争后的混乱期，终于找到自我，忠于自已意志的新时代女性。