新奇士家族

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

好莱坞惊悚大片《密室逃生2》由《速度与激情》系列金牌制片人重磅打造，前作曾创下中国影史进口惊悚片票房冠军。续作在闯关难度和惊险刺激程度上全面升级，集结全球顶级玩家合力解锁超高难度密室，开启命悬一线的残酷生存之战。

当朝宰相之子梁玉书与绝代佳人谢云霞偶然游春相遇，两人一见倾心。玉书托师兄刘仁元作媒，云霞得知玉书乃是害死亲生父母的奸臣梁如龙之子，为报父仇，假允婚姻，借口守孝三年不得同房，忠厚多情的梁玉书信以为真，至诚相待。中秋夜玉书婉言“盘妻”，勾起云霞思父之愤，独自回房，怒骂梁如龙一家，恰巧被玉书听见，才恍然大悟，恨父作恶，同情云霞，夫妻和好，相亲相爱。梁如龙催子赴考，玉书严命难违，把谢云霞送回刘家，赴考中状元。梁如龙为了独霸朝庭，高攀皇亲，逼子休妻，再招平阳郡主。玉书爱妻心诚，毅然弃官出走。玉书后娘梁孙氏，早疑谢是仇人之女，诱骗回府，欲加其害，被好心丫头荷香放走。玉书回府，不见云霞，悲痛欲绝，到处“索妻”，最后在刘仁元处夫妻相逢皆大欢喜。

劉以鬯 / 19181918年生於上海的劉以鬯，是近代華人文壇歷程的見證人。劉以鬯跟張愛玲年齡相差僅兩年，完成《酒徒》已四十多歲，可算大器晚成。他的文學和人生轉捩點，想不到來自新加坡一段愛情經歷，拍攝團隊循線追尋到劉以鬯伉儷邂逅的地方，實景回味這段花樣年華的時光。本片引領觀眾進入劉以鬯的創作生活，親近他既庶民又名士的城市感。在現實場景與小說世界之中，穿梭30-40年代摩登上海，50年代南洋風味，新加坡與香港新舊城市的魅力，游走虛構與真實之間，迴轉過去與現在的文學時空……