事后清晨 多吃肉御书宅

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

亿万富豪万国立请来了曾是警队中精英的陈志杰（刘青云饰）来保护他的独生女儿Jennifer（梁咏琪饰）。由于Jennifer不喜欢有人监视她，所以志杰必须假扮成一个服侍Jennifer的菲律宾男佣Mario从而得到丰厚的酬劳。与Jennifer相处的过程中，志杰发现她是一个非常单纯的女孩子，身边没有朋友，全部都是冲着她的钱来的，她每天更是挥霍无度。因此她的父亲万国立决定以病重及破产为理由，以欺骗女儿，好让她学会自立更新。Jennifer刚开始搬到一般草根阶层居住的小区时，非常不习惯，当她困于生活，需要样样亲历亲为的时候，她发现了父亲白手起家的不容易，她誓要把病重的父亲治好，努力挣钱。她与Mario同共患难，彼此间有了深厚的感情，当她知道原来一切都是好心欺骗她的时候，她也正好面对了自己对志杰的感情。

2010年2月，電影音樂劇《很久沒有敬我了你》在國家音樂廳公演，故事描述指揮家簡文彬尋找他幼年時原住民保母的故事。主催的角頭音樂將此定為「台灣音樂史上第一齣原住民原創音樂劇」。有別於兩廳院的官方版本，添加新素材的導演版，多了不同意見的各方訪談對話，並進一步辯證「原住民的音樂是否必須要在國家音樂廳演出，才會被認可為是好音樂」的命題。

安妮（克里斯汀?斯科特?托马斯 Kristin Scott Thomas 饰）的女儿格雷斯（斯嘉丽?约翰逊 Scarlett Johansson 饰） 喜欢骑马，却在一次事故中和好友一同从马背摔下，好友遇难，而格雷斯也摔断了一条腿，她心爱的马匹“朝圣者”受伤得面目全非。格雷斯的心里蒙上了挥之不去的阴霾。母亲心里十分着急。听说蒙大拿有精通马语之人汤姆（罗伯特?雷德福 Robert Redford 饰），安妮决定携女儿和“朝圣者”同往疗伤。汤姆起初不答应，终被感动，格雷斯和“朝圣者”在马语者精心的训练调养下慢慢复原，而离开了大都市的安妮也沉浸在那一片安静广袤的天地中。但是，安妮为此付出了代价——她长期离职，被解雇了，同时和丈夫的感情越来越疏远淡漠。另一方面，汤姆的与众不同让安妮心里泛起了阵阵涟漪。