杨幂赵丽颖郑爽刘亦菲佟丽娅

女孩（窦靖童 饰）独自来到拉萨旅行，而一只被供奉的“七彩神虾”意外改变了她的所有计划。女孩决定独自驾车穿越半个中国将神虾送归大海。一路上，她遇到了形色各异的人和事，回忆、梦境与幻觉也断续涌现在她眼前。最终，放虾之旅以意想不到的方式落幕，女孩也抵达了她内心最隐秘的世界。

城市姑娘银环（魏云 饰）和农村青年栓保（王善朴 饰）是高中同学, 在学习和生活中相互产生爱慕之情，两人相约高中毕业后到栓保的家乡朝阳沟参加农村社会主义建设。毕业了，栓保先行回到农村。但银环妈（杨华瑞 饰）却坚决反对女儿去农村，银环却铁了心要到农村参加农业生产。银环来到朝阳沟后，栓保娘(高洁 饰)和妹妹巧真（高颂喜 饰）把银环当做自己的儿媳和嫂嫂对待。但城市长大的银环对农村的劳动还是产生了动摇。此时，银环妈追到朝阳沟要女儿跟自己回去，银环感到左右为难。但在栓保的鼓励下，加上村里老支书（朱义 饰）又出面做银环妈的工作，使银环妈和银环的思想产生很大波动。是走，是留......

影片主要讲述了一名空姐不堪忍受长期的家暴，在一个雷雨交加的深夜将丈夫残忍杀害后一心求死，最后在法律援助律师的帮助下重拾对生活的信心的故事。灯光幽暗一片狼藉的房间内，衣衫破烂不整、 嘴角红肿带血、头发凌乱、目光绝望的欧阳祉鹤光着脚拖着高尔夫球杆向客厅的沙发走去。祉鹤表情由冷变怒，举起高尔夫球杆伴着电闪雷鸣猛烈地砸向张子赢。桌子上装满纸鹤的玻璃瓶被打碎，玻璃飞溅，纸鹤散落一地，墙上祉鹤 身着空姐制服的写真照片，还有一家三口的合影照溅上了血迹，散落在地上的白色纸鹤被鲜血染红。作为欧阳祉鹤的法律援助律师张彤到看守所了解情况，看到祉鹤已然放弃生念的状态，张彤感觉案件背后一定另有隐情。张彤心急如焚，迅速展开调查取证。张彤多次来到看守所，与欧阳祉鹤谈心，讲述自己的经历张彤鼓励祉鹤，为了儿子多多，必须坚强起来，不能放弃。多番努力后，祉鹤把张子赢吸毒及对自己长达两年的家暴真相和盘托出，张彤从智能机器人的视频里发现张子赢对欧阳祉鹤惨无人道的家暴画面，以及张子赢吸食毒品的视频证据，庭审当天，张彤却遇到了交通事故，在毛逸的协助下，张彤顺利出庭。法官最终判决欧阳祉鹤杀人罪名成立，但因张子赢有吸毒、家暴行为，故依法减轻刑罚，判处欧阳祉鹤15年有期徒刑。三个月后，一身囚服的祉鹤正在监狱操场上出操，高墙外，张彤带着多多遥控着无人机奔跑，无人机拖着一串纸鹤，挂着''妈妈加油！ 我爱你!”的条幅在空中盘旋。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.