尸囚狱

Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 kilometers of cordoned country road. Every few hours the two drivers per car alternate - but it's still a challenge for concentration and material. In the focus is the duel between the German Stahler in Ferrari 512LM and the American Delaney in Gulf Team Porsche 917. Delaney is under extraordinary pressure, because the year before he caused a severe accident, in which his friend Lisa's husband was killed.

冷森（方中信 饰）和一条（陈锦鸿 饰）是情同手足的好兄弟，两人同为被黑帮雇佣的金牌杀手，干得尽是一些灭迹灭口的脏活。平日里，一条向来大大咧咧风风火火，某日，他遇见了名为阿玲（周海媚 饰）的美艳女子，少不更事的他情不自禁地被阿玲深深迷住，以至于将冷森的告诫抛之脑后。果然不其然，阿玲最终成为了黑社会大佬方平的女人，她不仅背叛了一条，还导致一条和冷森遭到仇敌的追杀，一时间命悬一线。一场意外让一条身负重伤精神失常，冷森不仅带他逃脱，还在余下的日子里精心地照顾着他，随着时间的推移，两人之间的情谊愈发深厚。就在此时，方平的爪牙再度找上门来，恶战在即。

剧情简介：名妓杜十娘与纨裤子弟李甲相恋，甲好友柳遇春为成全二人，不惜挪用公款助杜赎身，结果被捕下狱。甲携杜离开妓院后，因不堪生活折磨，又恐父母不允婚事，竟接受千两黄金把杜转让。杜知悉真相后，向甲展示满载金银珠宝的百宝箱，大骂甲薄幸，然后抱箱投江自尽。故事情节：名妓杜十娘久有从良之志，她深知沉迷烟花的公子哥们，由于倾家荡产，很难归见父母，便日积月累地积攒了一个百宝箱，收藏在院中的姐妹那里，希望将来润色郎装，翁姑能够体谅一片苦心，成就自己的姻缘。经过长期考验和寻觅，她选择了李甲，并且欲望终身托付于他，因而让李甲四处借贷，又拿出自己私蓄的银两，完成自己从良的心愿。投奔他人从良是杜十娘重新做人的必由之路，因此姐妹们听说她顾从李甲离开妓院，大家都是纷纷相送，并以资相助为盘缠将百宝箱还给于杜十娘。其实，前部分的经历是杜十娘与李甲素不相识，李甲担心归家不为严父所容，杜十娘便与李甲泛舟吴越，徐徐图之。在途中，一富家公子偶然相遇，目睹杜十娘美貌，心生贪慕，就乘与李甲饮酒之机，巧言离开，诱惑并使李甲以千金银两之价把杜十娘卖给了他，杜十娘明知自己被卖弄，万念俱灰。她假装同意他们的交易，然后却在正式交易之际当众打开百宝箱，怒斥奸人和负心汉，抱箱投江而死。演员：新马师曾 任剑辉 白雪仙 李宝莹 柠檬 李鹏飞 西瓜刨导演: 王天林编剧: 冯一苇语言: 粤语地区：香港类型：剧情

Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie.They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks.Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.源自：