巴拉拉小魔仙3

两位布鲁克林长大的兄妹来到瓦胡岛乡间，他们发现一本记载了遗失已久的宝藏的日记，这个夏天变得激动人心。两人与新朋友们踏上一场史诗般的冒险，并让他们重新认识了夏威夷人的文化和传统。

朝鲜第十代王燕山王君时期，艺人长生（甘宇成饰）和孔吉（李俊基饰）因为不肯加入当地的艺人团，来到京城汉阳谋生。此时暴君燕山君（郑镇荣饰）沉迷于宠妾张绿水（姜成妍饰），朝纲混乱，民不聊生。长生与孔吉二人在街头开始表演讽刺君主的喜剧，大受欢迎，却遭逮捕。后要求到王面前表演，求得一笑。结果，多亏孔吉的急中生智，燕山君才笑了出来。两人随即被留在宫中取乐，孔吉更是因为美色令王倍加宠爱。他们不停表演，大臣们却各自心怀鬼胎，导致了杀戮局面。最终，君王和艺人的命运又将如何呢？

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

该短片时间设定在《坏蛋联盟》正片事件之前，讲述本来圣诞的早餐是坏蛋们最爱的时刻，因为大家开礼物的时间做贼最好下手。但这次圣诞节被意外取消，坏蛋们反而也要去做意外的事了：去给予，而不是获取。