白鹭旅馆

欧文的叔叔在经营着一家以动物表演闻名的马戏团，但一场大火却让叔叔意外去世，马戏团的表演场也全部化为灰烬。此时，继承马戏团的重担落在了欧文身上，但他却显得犹豫不决，而在叔叔的葬礼上，欧文的大伯霍勒肖放话要继承马戏团和宝藏，小丑红鼻头也将一盒贴着“绝对不能吃”的动物饼干交给了欧文，令局势更加混乱……

折耳与美短，理想与现实，亲情的羁绊比海更深。

罗伊·克里斯玛特（金·凯瑞饰）与好友哈里·邓恩（杰夫·丹尼尔斯）是一对蠢哥们。二人不仅智商不高，还找不到工作。一次，罗伊得到一个临时工作，驱车送摩登女郎玛丽·斯旺森（劳恩·霍利饰）去飞机场。罗伊对玛丽一见钟情，怎奈二人身份悬殊。玛丽登上飞机，罗伊发现玛丽遗忘了一个皮箱在飞机场候机厅。于是，为了追求真爱，罗伊决定和哈里一起驾车，向玛丽提到的飞机目的地驶去，他不仅要将皮箱归还，更要追求玛丽。可是皮箱似乎没有这么简单，一伙匪徒盯上了皮箱，试图将罗伊等人置于死地，怎奈罗伊智商不同寻常，阴差阳错地躲过灾难。两个蠢蛋，能否达到他们的目的地。一段傻傻的开心之旅就此展开。

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb