杨戬新神榜电影

阿蕊（陆小芬 饰）开了四〸年男士家庭理发，小小的家庭理发店收藏了各种人间的生老病死、聚散离合。面对生活的烦扰，阿蕊总是以她台湾欧巴桑的精神，毫不认输的面对人生。时间一天天过去，她的客人老了。有天阿蕊接到一通电话，搬到远方的老客人生病无法出门剪头发，拜托阿蕊到府服务。面对各种反对，阿蕊想起师傅教她“这一行要服务客人到底”。挂上“本日公休”的牌子，她要出发上路，去做一件所有人都认为不值得的事……

1939年，第二次世界大战全面爆发。侵华日军派出第五师团在我国西南登陆，直接威协大后方重庆。国民革命军第五军在军长杜聿明（刘颖涛 饰）指挥下，抗敌于昆仑关。桂林行辕主任白祟禧也调兵十五万人，发动桂南会战。一时间，战火密布，狼烟四起。青楼女子桂花（张晔 饰）的爱女被日炮火炸死，将士们发誓为她报仇。昆仑关总攻开始前，戴安澜（郑玉 饰）师长下令枪毙了强奸民女的光头连长（杨立山饰）。深明大义的百姓用祖坟墓碑铺平公路，让装甲车上战场。总攻开始后，中国军人前赴后继，视死如归。1940年元旦前夜，我总攻部队潮水般扑向敌阵，日军三木大佐（赵雍 饰）剖腹自杀，被毒气熏瞎眼晴的我军士兵凭感觉向军旗致敬......

莎斯（劳伦·白考尔 Lauren Bacall 饰）、洛可（贝蒂·格拉布尔 Betty Grable 饰）和宝拉（玛丽莲·梦露 Marilyn Monroe 饰）是三个性格迥异的女孩，她们唯一的共同点，就是都发着想要嫁给百万富翁，越上枝头变凤凰的美梦。这共同的梦想让她们空前的团结，彼此之间的友谊非常坚实。为了实现梦想，三个姑娘租下了位于丹蒙克的公寓，打算在那里举办婚姻联谊会，可是，三个月过去了，她们一个百万富翁都没有钓到，经济拮据的三人只得靠着变卖公寓里的家具来维持生计。终于，一个名叫杰迪（威廉·鲍威尔 William Powell 饰）的富老头出现并且给她们带来了希望，杰迪邀请三个女孩参加全由富人出席的盛大酒会，姑娘们能否抓住这次机会呢？

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.