老电影侦察兵

《1994年中央电视台春节联欢晚会》（简称：1994年央视狗年春晚）是中央电视台制作播出的综艺性文艺晚会，是第12届春节联欢晚会，晚会由郎昆执导，程前、倪萍担任主持。晚会在喜庆的氛围中突现了一个富于感染力的晚会主题――弘扬民族精神。此届晚会在为观众带来欢乐、喜庆的同时，还强调了给人以美的震撼与欢笑过后的理性思索。晚会于1994年2月9日晚20:00在中央电视台首播。

柳生源三郎（泽村国太郎 饰）到道场作上门女婿，哥哥对马守（坂东胜太郎 饰）将家传的猴壶送给弟弟作“嫁妆”。源三郎和对马守都不知道，这看似破破烂烂、毫不起眼的猴壶内竟隐藏着百万两银子的秘密。得知真相的对马守急忙派人索要，事感蹊跷的源三郎也渐渐知晓内中原委。然猴壶却被妻子卖给了收破烂的人。猴壶辗转到了孤儿安吉（宗春太郎 饰）手中，他因父亲遭流氓杀害而被射箭场收留，得到女主人阿藤（喜代三 饰）和独臂独眼剑客丹下左膳（大河内传次郎 饰）的照顾。源三郎寻找猴壶途中，偶遇射箭场的美丽少女，于是从此以寻找猴壶为借口，流连射箭场中，更与丹下左膳成为好友……

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

老夫子、大蕃薯、秦先生三人合办了一间寻回失踪宠物的侦探社，生意不过不失。秦先生与老夫子各自有感情生活寄托。相反，大蕃薯因为自卑而将感情转移在互联网的世界上。老夫子女友陈小姐的学生大眼生活不如意，将时间用于网上游戏。一次网吧相遇，老夫子、秦先生、大蕃薯、大眼无意中进入虚拟世界里；为了返回现实，他们必须进行大冒险……