献身 舒淇

福贡县匹河怒族乡沙瓦村坐落在怒江大峡谷碧罗雪山深处，位于中国最贫困的“三区三州”之一云南怒江傈僳族自治州。这里交通极为不便，村里能通行的只有一条小山路，肩背人扛是唯一的交通方式，世世代代极为贫苦。“想要一条路”，是以邓阿言为代表的当地村民共同的心声。影片以沙瓦村民们的故事为主线，讲述了这个古老的村庄在扶贫大背景下经过4年、1000多个日夜 “一步跨越千年”的命运变迁史，是一部浓缩的中国减贫影像志。

《女他》之后“我”陷入创作瓶颈，在采访身边艺术家朋友如何突破瓶颈期之际，偶然在一间艺术家工作室里撞见一具姿势诡异的艺术家尸体，在好奇心和创作欲的驱使下，“我”开始拿着摄影机调查这个死去的艺术家，随之而来的事情也变得越来越奇怪和……不可控……

★独树旗帜蒙特·赫尔曼导演作品，反传统地一部存在主义命题经典西部电影!★看不透剧情，猜不到结尾，它只是孤立在沙漠中的一个事件，在烈日中消融!

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)