胭脂

李寿根在各种综艺通过直击笑点的即兴表演与充满sense的口才，无论处于何种情况都牢牢抓住笑点，为观众们带来巨大的欢笑，此次将通过《李寿根的眼色教练》带来一场无法预测的单口喜剧。

*Shinjuku Mad* was one ofKoji Wakamatsu's six films from 1970. Grim and gritty, stark and steady, burdened with anti-moralizing, generously padded with sex, and totally redeemed by a soundtrack that needs to be released NOW. I knew nothing about this film, loading it up on to my laptop, and every last one of this film's sixty-sixty minutes kept me riveted.Bear with me. The film opens with the band cycling through a jazzy rave-up, the black and images depict dead Japanese throughout a modern city. From the alleyways of the slums, to center of the park, you catch glimpses of bodies everywhere. This introduction is capped off by a lingering shot of a blood-soaked naked woman, face down. By this point, the band has reached a sort of peak. There's a cut, the band changes the direction of the song a bit, and then we're treated to a series of exterior shots from downtown, the lunch hour, maybe. You see a lot of storefronts and stairwells, people moving about. All of the people in these splices are done in negative image.What follows can only be described as harrowing. After the credits, the reel switches to color. We're treated to the on-screen stabbing of a young man in a toga, his attackers strip his special lady-friend of her toga, spend about two minutes smearing her breasts with still-warm blood, and then take turns raping her. She doesn't seem to put up much of a fight. The scene is lensed with all of the enthusiasm of a television spot for a whole foods market.Well, that's a fucked up way to start a movie. If you're still reading, I'll have you know the brutality eases up a little, but the camera's tendency to seek out each scene's more lurid details is relentless. The band never lets up, either. Another constant feature of the film is the protagonist's alienation from society. That's a pretty dated-concept, in a way. This film is cashing in on what could loosely be called the Existential demographic in 1970's Japan. Parts of it could have been written by Oe. Others by Mishima. It definitely, at times, addresses a bit of that lingering air of revolution, but more on that later.The father of the kid stabbed in Technicolor shows up in the nest reel, in the same apartment his son was murdered in. This confused, grieving father asks a totally baked Shoko Asahara for information about the events leading up to his son's death. The long-haired no-goodnik is toking on a Sharpie-sized doobie. He gets so fucking high he passes out and the dad is left there in the empty apartment, getting a major contact-buzz.So, the plot is basically that kind of exchange in larger and larger settings, intercut with glorious shots of the disillusioned father walking through industrial slums. The father, searching for the "Why" to his son's death goes on his quest and pisses just about everyone he comes into contact with off. He goes into subway stations and totally kills some beatniks' buzzes. Then he bullies a Hare Krishna ROCK AND ROLL SUPERSTAR and his belly-dancing percussionist at a park. Then he heads off to a bar, and we're treated to what must have been Tokyo's Greatest Garage Band getting low-down and sleazy here. This scene pretty much sums up what the film is about. As you dig the scuzz and the fuzz, the camera catches all manner of degeneracy and wanton reefer-use. And the bar has no less than three groups of people making out. And they get excessive with the groping.Eventually, the father catches the ringleader of the vicious band of murderer-rapists. "Shinjuku Mad," is his name. After an unbelievably long and convoluted exchange between the protagonist and Shinjuku Mad, it comes out that Mad and the boys are rebelling against all of Japan. It's open season on everyone but them. His son was only a casualty, nothing personal. Their intent is to go on rebelling against society through random acts of violence against people and property.After going through all the trouble of finding Shinjuku Mad, the old man's mind is blown by revolution for revolution's sake. After a few pummellings, he manages to turn the fight around. He winds up leaving with a nude girl that had been tied to a post for the entire scene.He goes back to the apartment his son was murdered in to find his special lady-friend naked with six other dope-smoking cats grooving on free love and blue balls.He decides he's happier with Shinjuku Mad alive and kicking, the band is at another one of its high points, and the camera pans out to the railroad yard, telephones wires, and the bare sides of modern buildings.That was Japan, thirty-seven years ago.

青春是一场大雨。即使感冒了，还盼望回头再淋它一次。人生就是不停的战斗，在还没有获得女神青睐时，左手永远都只是辅助！！！柯景腾（柯震东 饰）和他的一群好友，爱耍帅却老是情场失意的老曹（敖犬 饰），停止不了勃起所以叫勃起的勃起（鄢胜宇 饰），想用搞笑致胜却总是失败的该边（蔡昌 宪 饰），胖界的夺爱高手阿和（赦绍文 饰），从国中到高中，一直是不离不弃的死党。他们都对班花沈佳宜（陈妍希 饰）有着一种纠结的感情。一方面，他们瞧不起这种只会用功读书的女生，另一方面他们又为她的美好气质倾倒。因为学习成绩较差，柯景腾被老师安排坐在沈佳宜前面。因为他的一次英雄救美，她开始用强制的方式帮他补习功课。此事令其他兄弟羡慕嫉妒恨，但是大家都未说破。毕业后，柯景腾和沈佳宜在各自大学保持恋人般的联系。直到他举办自由格斗赛，事情才出现了变化…… 这一连串下，原本按兵不动的好友也都纷纷加入女神争夺战！但是麻吉诚可贵，青春价更高，若为女神故，是否二者皆可抛哩？！本片根据导演兼编剧九把刀在2007年的自传体小说改编。柯震东凭借本片获第48届金马奖最佳新演员。

姜俊秀（李昇基 饰）和金贤雨（文彩元 饰）是从小玩到大的青梅竹马，姜俊秀一直以来都默默喜欢着金贤雨，然而，当他决定将心中的感情传达给对方时，却遭到了金贤雨的拒绝。尽管如此，姜俊秀却依然不离不弃的陪伴在金贤雨的身边，成为了她最亲密和最信赖的朋友。金贤雨是一名气象主播，她开朗而又活泼，在电视台里拥有着很高的人气，然而，如此美丽自信的她，却偏偏陷入了同前辈李东镇（李瑞镇 饰）之间的不伦之恋中无法自拔，每日为了这个不值得她付出的男人伤心难过，并常常因此而找姜俊秀大吐苦水。看到金贤雨的痛苦和难过，姜俊秀的心里十分不是滋味。