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Zaia Enterprise CEO Lyon Arkland seeks to weaponize all Humagears by transforming them into his mechanical soldiers known as "Soldos". For the sake of Humagear free will, Metsubojinrai.net will not allow this to happen.by:

伊丽莎白．赫曼饰演十八岁的白人瞎眼少女，平时与粗暴的母亲和老迈的祖父同住，生活漆黑无光。这一天她哀求祖父上班时顺便带她到公园去，才第一次呼吸到清新空气。她在树下做串珠子的手工时，得到好心的西德尼．波埃特帮助，两人产生了感情，只是并不知道对方是黑人。编导盖伊．格林用温馨细腻的手法来处理这段黑白之段，并无大声的呐喊控诉，却令人对女主角的遭遇产生由衷的同情，是一部彰显人性之光的佳作。饰演母亲的谢利．温特斯获得最佳女配角金像奖。

纪录片《关爱之家》简介：《关爱之家》起因于《中国经济时报》首席记者王克勤的长篇报道《邢台艾滋病真相调查》，影片记录了河北邢台农村妇女刘显红打官司的故事。她因在医院输血感染艾滋病毒，决定公开身份、起诉医院，历经艰险终于获取赔偿。以她的经历为主要线索，影片通过几个家庭的遭遇和感染者成立“关爱”小组集体维权的努力，呈现出在基层农村涌动的公民权利意识。尽管追求法治的路困难重重，但由于社会关怀、媒体介入和法律援助，政府也转变了态度，并出台了改善感染者处境的政策。在通往社会公正的道路上，《关爱之家》呈现了爱与社会改变的可能性。Care and LoveThe high profile success of The Blood of Yingzhou District—winner of Oscar's Best Documentary this year—has encouraged worldwide attention on the HIV/AIDS epidemic in China. Almost at same time, two works on the subject have spreaded among the HIV/Aids activists and NGOs in China, The Central Plains (2006), and Care and Love(2007), directed by Ai Xiaoming, a professor from Sun Yat-sen University, and filmed by herself and Hu Jie.Care and Love draws its inspiration from 'Investigation of HIV/AIDS in Xingtai', a feature article written by Wang Keqin, a senior journalist at China Economic Times, which tells the story of Liu Xianhong, a woman villager who contracted HIV through a blood transfusion during childbirth. The film documents how she publicized her story, filed a lawsuit with her 8-year-old son against the local hospital and eventually received compensation. The film also records the sufferings of several families and a collective effort to defend their own rights by people living with HIV/AIDS, who set up an organization, 'Care and Love Group'. The film reveals an increasing awareness of civil rights in rural areas. Growing social concern, media intervention and legal aid have forced the local government to compromise and modify their policy, and improve the situation for AIDS patients. Care and Love thus shows the possibility for social change on the way to social justice.

东北松花江畔，一青年与一车店店家的孙女相爱。不久后，“九·一八”爆发，日本入侵东北，孙女的父母亲均被日本人杀害。青年被抓走，半途义勇军偷袭日寇，青年趁乱逃回车店，碰见好色的日寇伍长正欲污辱车店孙女，打死日寇伍长。带孙女逃离此地，“七七事变”后，青年孙女等人不屈日寇的压迫，参加了义勇军，抗击日寇。影片获得舆论界很高的评价。影片的导演处理很有特色，运用形象化的蒙太奇语言，镜头含蓄、简约、有力，许多场面真实、有气势，激动人心。音响效果的运用，使声画相辅相成，组成统一的艺术形象。如影片开始的迎车队、送车队的场面，将东北农村生活和风土人情展现出来，别有风味。片中的插曲也是中国电影在插曲运用上的成功范例之一。在妞儿唱的《四季歌》声中，通过多场景、多变化的蒙太奇处理，将当时情景和人们情绪充分表现出来，达到抒情写意和展现环境相结合的效果。