欢迎来到精灵森林OVA第三集

桂美（杨惠姗）孤身从南京来到台湾寻找未婚夫未果，暂住表姐家中，却被当下等佣人对待，为摆脱寄人篱下的生活，她委身下嫁遭妻子遗弃的中年男人侯永年（李立群），成为三个孩子的继母，可是因为侯永年的嗜赌如命兼外养女人，令她犹如刚出狼窝又入虎穴。生下孩子后，桂美为了生计同侯永年远赴日本替人帮佣，又因机缘在当地一家中国餐馆学得一手好厨艺后返回台湾，独立开了“霞飞之家”餐厅，可是在她勤俭持家之时侯永年却故态复萌，而更让她觉寒心的，是长大成人各有成就的子女以及媳婿的自私与无情。

新上任的三圃市警署署长李承宇（孙秉浩 饰）为了挽回警察在市民心目中的形象，亦为个人大造政绩，异想天开决定实行一次银行模拟劫案演习，当然，对这次训练的态度警局众人心照不宣，大家都明白这不过是逢场作戏，然而被安排扮演劫匪的巡警郑度满（郑在泳 饰）却不这么认为。平时默默无闻行事一丝不苟的郑度满受命后全力研究劫匪作案手法，完全进入了角色。演习当日，郑度满的专业表现令所有人大惊失色，警方的便衣与突击队纷纷“阵亡”在郑度满的枪下，原计划在媒体面前大出风头的李承宇如意算盘落空，却又对郑度满无可奈何。究竟这次“劫匪”逞凶的演习该如何收场？本片剧本出自韩国著名编剧张镇之手，他的知名作品尚有《欢迎来到东莫村》等。

知名摄影师木原坂雄大（斋藤工 饰）之前因一起火灾而陷入诉讼。火灾中，他所聘请的盲眼模特不幸身亡，木原坂本人也深受重伤。事后，他因涉嫌诱拐、监禁和谋杀而被起诉，但在律师的帮助下最终逃脱了制裁。此后，自由撰稿人耶云恭介（岩田刚典 饰）找到某周刊编辑主任小林良树（北村一辉 饰）。希望该周刊能够支持他对木原坂黑暗的一面展开调查。在获得周刊的同意后，耶云拜访了木原坂，得以近距离观察这位神秘摄影师的工作状态，了解其内心所想，并走访与他生命中息息相关的人，却没有料到自己正步步走入对方的陷阱……本片根据芥川赏作家中村文则的小说改编。

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war.This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.