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Harry Dean has a plan to pull off a major robbery and needs Nicole as a gambit and windowdressing. He outlines his ideas about his perfect crime in a dream sequence and then meets Nicole, and nothing goes quite right again.

新年伊始，小泉同学（早见明里饰）继续和大泽悠（美山加恋饰）、中村美沙（古畑星夏饰）两位好友奔走在品尝拉面的美食路上。一向成绩优秀的她为了品尝异地的美食而跌入补考的阵容，令极度讨厌拉面的班长高桥润（田中美丽饰）大为不解。她们的同学、诩拉面达人的富家公子鸣门qiwan.cc（成田凌饰）出现在小泉面前。他与小泉本无针对“吃面是该安静还是喧闹”的问题发生冲突。为了证明谁才是拉面达人，三位拉面控大叔出面主持了一连串别开生面的拉面对决，而在这一过程中，班长也被卷了进来。

*Shinjuku Mad* was one ofKoji Wakamatsu's six films from 1970. Grim and gritty, stark and steady, burdened with anti-moralizing, generously padded with sex, and totally redeemed by a soundtrack that needs to be released NOW. I knew nothing about this film, loading it up on to my laptop, and every last one of this film's sixty-sixty minutes kept me riveted.Bear with me. The film opens with the band cycling through a jazzy rave-up, the black and images depict dead Japanese throughout a modern city. From the alleyways of the slums, to center of the park, you catch glimpses of bodies everywhere. This introduction is capped off by a lingering shot of a blood-soaked naked woman, face down. By this point, the band has reached a sort of peak. There's a cut, the band changes the direction of the song a bit, and then we're treated to a series of exterior shots from downtown, the lunch hour, maybe. You see a lot of storefronts and stairwells, people moving about. All of the people in these splices are done in negative image.What follows can only be described as harrowing. After the credits, the reel switches to color. We're treated to the on-screen stabbing of a young man in a toga, his attackers strip his special lady-friend of her toga, spend about two minutes smearing her breasts with still-warm blood, and then take turns raping her. She doesn't seem to put up much of a fight. The scene is lensed with all of the enthusiasm of a television spot for a whole foods market.Well, that's a fucked up way to start a movie. If you're still reading, I'll have you know the brutality eases up a little, but the camera's tendency to seek out each scene's more lurid details is relentless. The band never lets up, either. Another constant feature of the film is the protagonist's alienation from society. That's a pretty dated-concept, in a way. This film is cashing in on what could loosely be called the Existential demographic in 1970's Japan. Parts of it could have been written by Oe. Others by Mishima. It definitely, at times, addresses a bit of that lingering air of revolution, but more on that later.The father of the kid stabbed in Technicolor shows up in the nest reel, in the same apartment his son was murdered in. This confused, grieving father asks a totally baked Shoko Asahara for information about the events leading up to his son's death. The long-haired no-goodnik is toking on a Sharpie-sized doobie. He gets so fucking high he passes out and the dad is left there in the empty apartment, getting a major contact-buzz.So, the plot is basically that kind of exchange in larger and larger settings, intercut with glorious shots of the disillusioned father walking through industrial slums. The father, searching for the "Why" to his son's death goes on his quest and pisses just about everyone he comes into contact with off. He goes into subway stations and totally kills some beatniks' buzzes. Then he bullies a Hare Krishna ROCK AND ROLL SUPERSTAR and his belly-dancing percussionist at a park. Then he heads off to a bar, and we're treated to what must have been Tokyo's Greatest Garage Band getting low-down and sleazy here. This scene pretty much sums up what the film is about. As you dig the scuzz and the fuzz, the camera catches all manner of degeneracy and wanton reefer-use. And the bar has no less than three groups of people making out. And they get excessive with the groping.Eventually, the father catches the ringleader of the vicious band of murderer-rapists. "Shinjuku Mad," is his name. After an unbelievably long and convoluted exchange between the protagonist and Shinjuku Mad, it comes out that Mad and the boys are rebelling against all of Japan. It's open season on everyone but them. His son was only a casualty, nothing personal. Their intent is to go on rebelling against society through random acts of violence against people and property.After going through all the trouble of finding Shinjuku Mad, the old man's mind is blown by revolution for revolution's sake. After a few pummellings, he manages to turn the fight around. He winds up leaving with a nude girl that had been tied to a post for the entire scene.He goes back to the apartment his son was murdered in to find his special lady-friend naked with six other dope-smoking cats grooving on free love and blue balls.He decides he's happier with Shinjuku Mad alive and kicking, the band is at another one of its high points, and the camera pans out to the railroad yard, telephones wires, and the bare sides of modern buildings.That was Japan, thirty-seven years ago.

熊金贵（王道饰演）与孙山（刘忠良饰演）为武林南北两大高手，所谓“北方弹腿有孙山，南方螳螂有熊金贵”。熊金贵因刺杀清廷主帅并斩其首级而遭到追杀，熊打算前往台湾会和反清名将郑成功，途中偶遇浪子孙山并产生误会。另外，清廷派出的密使——“魔观音”凯凯已悄悄走进熊的生活并取得信任，打算与熊一起前往台湾阴谋刺杀郑成功。岂料最终这一切阴谋被孙山发现，手刃凯凯之后，两大武林高手联手与“满洲第一勇士”多古仑决一死战！本片是继刘忠良、王道首次合作《南拳北腿》之后的又一超级经典功夫片，故事架构与《南拳北腿》相似，动作场面又直追《鹰爪铁布衫》，实为不可多得的经典佳作！