美食的俘虏84

疯狂的科学家Gangreen教授，正准备着第二次巨大蕃茄的攻击行动，他使用音乐将蕃茄转变成人型，要与人类进行一场大战。披萨外送员乍得必须拯救这个世界，还有蕃茄女郎塔拉.....

盲剑客座头市（胜新太郎 饰）独行天下，扶弱济贫，但他渐渐厌倦了血雨腥风的生活，决心返回故乡莲花泽隐居。然而宁静的故乡已被暴徒政吾郎（米仓齐加年 饰）霸占，村民饱受欺侮，苦不堪言。政吾郎得知阿市归来，遂高价聘请流浪武士佐佐大作（三船敏郎 饰）充当保镖，以伺机除掉阿市。小小村庄，二人不免狭路相逢，不过几次决斗皆因各种原因而推迟。所谓英雄惜英雄，这不断推迟的对决让两人的斗志逐渐燃烧起来……根据子母泽宽原著小说改编。

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

1979年，越南方面挑起边境事件达三千多起，社会主义阵营好兄弟中国和越南同室操戈，剑拔弩张。侯局长的儿子侯方此时正在边疆服役，这位一腔肝胆的青年决心用钢铁之躯保卫祖国，因此特别申请延期退役。而他的妈妈却担心儿子的安全，执意希望儿子退役回家，远离战场的喧嚣。人民子弟兵们浩浩荡荡开赴边疆，侯方跟随班长梁青青冲锋陷阵。然而越方设置了长达两百米的雷区，为了打开大部队前进的通道，梁青青带着侯方、韦江波等战士展开排雷任务，可是所有的爆破器材都用完了，他们只能用自己的血肉之躯去扫除最后五十米的地雷。年轻的战士视死如归，他们做出足以让祖国母亲自豪的壮举……