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袁天罡，天生弃命格，客死家人后来到藏兵谷投奔叔叔。他15岁之际，天下大乱，负责守护龙渊剑的藏兵谷惨遭地煞们血洗，他再睁眼只见满山坟冢。从此以后，他决定与命一博，习得称骨算命之术，成为杀手且专杀命不该绝之人。35岁那年，在西北边陲的小镇上结识了买凶杀人的客栈老板娘幻音。幻音刺杀李渊寡不敌众，袁天罡前来营救时遇见了旧时故人李淳风。从此，龙渊再现江湖，袁天罡守护者的身份也公诸于世。是肩挑守护王朝的责任，还是归于江湖做行侠仗义的行者？不良帅的故事正在上演......

イメージフォーラム・フェスティバル1999特選、2000レティナ・フェスティバル準大賞部屋の片隅、窓から差している琥珀色の陽。壁面に投影された影が浸食し合い、増殖するにつれて、立方体としての部屋の形態は、やがて実際の壁面とドローイングによる仮想の平面が造り出す視覚の揺らめきに変貌する。鑑賞者の知覚作用により形態が変わる驚異の部屋。2.5次元のアニメーション作品。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

是2022KBS独幕剧剧本征集优秀作品，讲述了朝鲜年轻人面对朝鲜时代的禁忌，想要传达自己真心的爱情和友情故事。会先在wavve网播，两周后KBS电视影院。