jianbingxia

松本市の松本北高校（架空）卒業間近の3年生を中心とした男女7人の青春物語。偶然出会った定時制生徒との友情、恋愛を松本の静かな風景の下で高校卒業まで綴っていくストーリー。

动画工作室STUDIO PONOC制作、以奥运为主题的短篇动画电影《Tomorrow’s Leaves》制作完成，7月23日开始期间影院限定上映、面向全世界网络上线。详细上映与上线信息请看下文。本作以“地球上某个岛”为舞台，讲述了出生成长的地方、文化和语言都不同的孩子们，向长着作为和平证明的“明日之叶（Tomorrow's Leaves）”的“明日之树”出发的故事。在吉卜力工作室与高畑勋导演和宫崎骏导演一起活跃的百濑义行担任导演，《玛丽与魔女之花》的村松崇继负责音乐制作。

第四届霸王花如期毕业成队，适逢一群悍匪冲入医院抢夺同伙，霸王花迅速投入战斗，可惜寸功未建，令上峰胡警司颇为难堪，警界推出的“金装霸王花”Madam杨（杨丽菁 饰）依赖一身硬功夫和高科技装备，表现颇为抢眼，致霸王花队伍有解散之虞。霸王花成员心灰意懒纷纷离去，Madam李（李赛凤 饰）遂展开了寻访前任霸王花重新入队解决危机之旅，最后只得全心照料儿子的Amy（吴君如 饰）和刚由精神病院出院的May（惠英红 饰）加入，于是新老霸王花在阿南（楼南光 饰）指导下开始了磕磕绊绊的恢复性训练。与此同时，抢人未果的悍匪们冲入学校，挟持警务处长之子要求释放同伙，霸王花们再次全力出击……

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.