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剧情梗概财神总管训导众财神，凡间近年多灾多难，正所谓“人间有难，天上有爱”，财神们除了送钱，还要把爱心散播凡间。因今年是非常时期，财神总管也决定亲自上阵，带同“如、意、吉、祥”下凡派钱，众财神们向人间进发……开场：天庭天庭传来一把洪亮的声音：“财神到！”，一众男女财神云集天庭内。财神总管训导众“运财财神”，凡间近年多灾多难，正所谓“人间有难，天上有爱”，“运财财神”除了送钱，还要把天上的爱心，散播凡间！正因今年是非常时期，财神总管也决定亲自上阵，带同“如、意、吉、祥”下凡派钱！财神总管带领一众“运财财神”高呼口号，誓师出发，众财神们向人间进发！《沈阳部份》：大胖假扮十岁女孩(小娇)接近杨大姐财神大胖奉命下凡，来到沈阳巿，把一亿巨款送给善心护士杨素娟。满以为轻而易举，却不小心被杨素娟误会是色狼！为了亲近杨素娟，大胖只好施法变身为十岁小女孩小娇。杨素娟眼见小娇孤苦无依，把她接回家中。奈何“小娇”本性难移，既贪吃又贪睡，还险些穿帮，暴露身份。学校里，小娇认识了胖男孩小秋，两个“胖子”一见如故。小秋不知道小娇实是男儿身，还暗暗的喜欢了她！小区里经营电器维修店的林贵，亦偷偷倾慕着杨素娟。二人是多年邻里，互相照应，夜来一起对酌闲聊。惜林贵始终没勇气跟杨素娟表白。小娇屡次找机会送钱给杨素娟也不成功。反过来，却时常跟着杨素娟一起行善，给生活有困难的公公婆婆送饭菜。渐渐，小娇亦感染了杨素娟助人为乐的精神，利用法力，给邻舍、同学带来欢乐。好心得好报，小娇也得着奇遇，欣赏到闻名沈阳的“二人转”表演！完成任务的期限迫近，小娇幸终想出办法，化身食品公司职员，给杨素娟带来一亿元的幸运大抽奖奖金！没料，杨素娟的财富，却引来的绑匪大东觑觎！大东把小娇绑架，勒索一亿元！杨素娟毫不犹豫，拿一亿元换取小娇的平安。不但钱没有了，危急间，林贵更舍身抗贼，牺牲了性命……小娇向财神总管求救，最后决运用“危急锦囊”，让林贵复活。虽然大胖的运财任务失败了，但看到杨素娟跟林贵能幸福的在一起，看到每个人依依不舍地跟她送别，已心满意足。财神总管欣赏“小娇”的爱心，亲自施法，令大东自动投案。杨素娟更利用失而复得的一亿元，实现了愿望，兴建了一所慈善医院！《北京部份》：失灵财神总管改造OL徐杰财神总管亲临北京，除了掌管财记花店外，不忘偷闲视察民情。就在这天，财神总管遇上了危坐天台边沿，万念俱灰的徐杰。徐杰本是个踏实上进的办公室女郎，在这功利的世界里，却吃尽苦头。不管多努力，升迁的机会，还是被富家女嘉路莲夺去！深深倾慕的集团太子爷张少君，徐杰更是连走近的机会也没有！！财神总管劝勉徐杰，人生并非绝望，岂料徐杰一时激动站不稳，财神总管为了救她，自己堕下去了……财神总管不会死，却因“脑震荡”，不但失去了记忆，还法力失灵！徐杰和同屋好友董晶晶眼见皮箱中时而变出钞票时而变出公仔纸，决定先留住这“财神”，复出尽法宝，甚至要他再堕楼一次，好让他“康复”过来……财神法术生效时，徐杰和晶晶便拉着他疯狂购物！重新包装下的徐杰令人刮目相看，借着财神总管的法力，在办公室里更是无往而不利，嘉露莲亦给比下去！财神总管还假装集团总栽，把徐杰用心撰写，却遭李经理否决的“环保住宅”计划书，直接给张少君呈上。张少君赏识徐杰的能力，对她留下良好印象。然而，当财神总管法力失效时，徐杰和晶晶又回复拮据的状况。适逢徐杰父母从乡间来访。徐杰遗憾未能让父母享受奢华美食，财神总管却明白到，两老只想女儿做个实实在在的好人，找到好归宿。在公在私，多得财神总管的协助，徐杰跟张少君发展顺利。岂料，就在一个豪华的慈善舞会中，老羞成怒的嘉露莲企图向徐杰报复，却错手把财神总管从高处推下来，财神总管当场不省人事……财神总管又一次安然无恙，这一跌，还让他完全恢复了记忆和法力！财神总管要返回岗位了，以后的路，就得靠徐杰自己的实力。然而徐杰充满信心，因为财神总管的出现，让她明白到，只要肯努力，人生永远有希望！《上海部份》：女财神吴珊珊与失明钢琴师程雨之恋女财神533 / 吴珊珊被指派到上海“运财财神”，却要她向失明的程雨派发“0”圆，就让她感到疑惑不解！程雨于酒店大堂的咖啡室当一名钢琴师！他虽看不到这个世界，但生性乐天知命的他，从来没有为此而气馁过！工作上他虽受到上司周经理的欺压，但他从没为此而动过气，因为他明白到心灵富有比物质上的拥有来得更为重要！吴珊珊为完成“派财神”任务，遂以“钟点家居助理”的身份接近程雨，经过一段日子相处，她把自身开朗的个性传染了程雨，逐渐地，他所弹奏的乐曲也由哀伤转趋喜悦，吴珊珊为程雨那黑暗的生命带来了色彩。吴珊珊同时发现程雨把心愿写在日记上，他希望有一天能跟心爱的人一同看日出；此刻她才明白到程雨对金钱的渴求真的很低，回复视力才是他最想得到的！吴珊珊逐渐不知不觉的爱上了他，宁愿放弃“神仙”身份，也想满足他的心愿，令他重见光明！可惜依照“仙例”，当吴珊珊以“法力”医好程雨双眼后，她便要把程雨对她的所有记忆删除！为了程雨，为了一起看日出，她甘愿当上一个凡人！虽然程雨双眼回复视力后，真的忘记了吴珊珊这个人，但一幅素描画却为二人的感情线留下了伏线，因为程雨真的希望重新认识这位“新朋友”。最后，吴珊珊明白到财神总管是要她把“爱”传给程雨！因为只有爱才会比金钱来得更富有，更丰盛！天庭财神总管与一众“运财财神”已回到天庭，陪着吴珊珊与程雨一起看日出！财神总管让大胖看见“绑匪大东自首投案，杨大姐得回一亿元，开慈善医院”，继续济世为怀，无私奉献！财神总管与一众“运财财神”开大餐，欢乐天地吃中国各地、不同款式、各有特色的传统春节过年美食！

1993年，山田洋次導演的《學校》在日本本士引起極大迴響，不僅贏得好評如潮，更在各大頒獎禮中獨領風騷。延續篇《學校II》將舞台移師至北海道一間供智障學童入讀的高中，但仍舊以刻劃帥生關係及反思教育意義為核心主題。山田在片中寄托了他對學校及老師們的期望：教育並非只靈培育老師心目中的好學生，老師的工作也並非只是教學，更重要的是跟學生建立深厚的關係。全片溫情洋溢，值得細味。The Learning Circle, a film by Yamada Yoji and a follow-up to his 1993 hit A Class To Remember, is a moving story about the daily life of teachers and students at a high school for mentally-handicapped children. In this film, Yamada has depicted vividly and with genuine emotion the dreams and expectations he has for all schools and teacher: "Education is much more than merely minting students who are easy for schools and teachers to handle. A teacher's job is more than just teaching and guiding students, it is also to associate closely with them."新學年又開始了。在北海道一間專供智障學童入讀的高中，青山龍平老師正在迎接新生。當中一位名叫高志的學生智商不算低，但過去曾受同學欺侮，心靈創傷使他從此一言不發。另一位學生佑矢就更是問題多多。他總是不肯乖乖坐著，一時大呼小叫，一時又像一枝箭似的飛奔出課室；問他甚麼也好，答案就衹有一個：午後紅茶－他最喜愛的飲料。資深老師也拿他沒法，於是把佑矢交給新到任的小林老師看管，害得他沒一刻能放鬆，差點得了神經衰弱。直到一天，一件前所未有的事發生了：佑矢忽然跳了起來，想要搶奪北川老師手中的文稿。這時，一直沒開口說過一句話的高志忽然疾言厲色地罵他。更令人意外的是郤是佑矢的反應──他第一次順著別人的意思去做。自那一天起，學校有了重大的改變，不僅是學生，老師也一樣……資料來源︰電影雙周刊—Home Entertainment DVD (香港)

*Shinjuku Mad* was one ofKoji Wakamatsu's six films from 1970. Grim and gritty, stark and steady, burdened with anti-moralizing, generously padded with sex, and totally redeemed by a soundtrack that needs to be released NOW. I knew nothing about this film, loading it up on to my laptop, and every last one of this film's sixty-sixty minutes kept me riveted.Bear with me. The film opens with the band cycling through a jazzy rave-up, the black and images depict dead Japanese throughout a modern city. From the alleyways of the slums, to center of the park, you catch glimpses of bodies everywhere. This introduction is capped off by a lingering shot of a blood-soaked naked woman, face down. By this point, the band has reached a sort of peak. There's a cut, the band changes the direction of the song a bit, and then we're treated to a series of exterior shots from downtown, the lunch hour, maybe. You see a lot of storefronts and stairwells, people moving about. All of the people in these splices are done in negative image.What follows can only be described as harrowing. After the credits, the reel switches to color. We're treated to the on-screen stabbing of a young man in a toga, his attackers strip his special lady-friend of her toga, spend about two minutes smearing her breasts with still-warm blood, and then take turns raping her. She doesn't seem to put up much of a fight. The scene is lensed with all of the enthusiasm of a television spot for a whole foods market.Well, that's a fucked up way to start a movie. If you're still reading, I'll have you know the brutality eases up a little, but the camera's tendency to seek out each scene's more lurid details is relentless. The band never lets up, either. Another constant feature of the film is the protagonist's alienation from society. That's a pretty dated-concept, in a way. This film is cashing in on what could loosely be called the Existential demographic in 1970's Japan. Parts of it could have been written by Oe. Others by Mishima. It definitely, at times, addresses a bit of that lingering air of revolution, but more on that later.The father of the kid stabbed in Technicolor shows up in the nest reel, in the same apartment his son was murdered in. This confused, grieving father asks a totally baked Shoko Asahara for information about the events leading up to his son's death. The long-haired no-goodnik is toking on a Sharpie-sized doobie. He gets so fucking high he passes out and the dad is left there in the empty apartment, getting a major contact-buzz.So, the plot is basically that kind of exchange in larger and larger settings, intercut with glorious shots of the disillusioned father walking through industrial slums. The father, searching for the "Why" to his son's death goes on his quest and pisses just about everyone he comes into contact with off. He goes into subway stations and totally kills some beatniks' buzzes. Then he bullies a Hare Krishna ROCK AND ROLL SUPERSTAR and his belly-dancing percussionist at a park. Then he heads off to a bar, and we're treated to what must have been Tokyo's Greatest Garage Band getting low-down and sleazy here. This scene pretty much sums up what the film is about. As you dig the scuzz and the fuzz, the camera catches all manner of degeneracy and wanton reefer-use. And the bar has no less than three groups of people making out. And they get excessive with the groping.Eventually, the father catches the ringleader of the vicious band of murderer-rapists. "Shinjuku Mad," is his name. After an unbelievably long and convoluted exchange between the protagonist and Shinjuku Mad, it comes out that Mad and the boys are rebelling against all of Japan. It's open season on everyone but them. His son was only a casualty, nothing personal. Their intent is to go on rebelling against society through random acts of violence against people and property.After going through all the trouble of finding Shinjuku Mad, the old man's mind is blown by revolution for revolution's sake. After a few pummellings, he manages to turn the fight around. He winds up leaving with a nude girl that had been tied to a post for the entire scene.He goes back to the apartment his son was murdered in to find his special lady-friend naked with six other dope-smoking cats grooving on free love and blue balls.He decides he's happier with Shinjuku Mad alive and kicking, the band is at another one of its high points, and the camera pans out to the railroad yard, telephones wires, and the bare sides of modern buildings.That was Japan, thirty-seven years ago.

中学2年级学生丰田明（井上和彦 配音）生活在一个单亲家庭，父亲终日忙于公司的事务，鲜少过问儿子的日常起居。他在学校里也充满诸多不快，老师的揶揄和同学们的嘲笑都令他对周遭充满绝望。偶然的机会，丰田在一个阴暗角落的墙壁上发现一幅海报，海报上清纯美丽少女的形象让他心有所动。这时，女孩竟然开口与他说话，短短的交流过后，丰田将阿露（島津冴子 配音）的海报揭下带回家中。在此后的日子里，丰田与阿露俨然一对情深意笃的小情侣，而他对周遭的一切也越来越绝望了……本片由著名漫画家手冢治虫自编自导，收入在手冢治虫漫画全集第4卷。