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The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war.This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

电影，一项百年前兴起的新科技，没人料到纪录它的材料——胶卷，会在这个时代濒临绝种，被数位潮流给取代。胶卷，在温度18-22度与溼度55度的环境下尚能生存6、70年，但当它暴露在缺乏恒温恒湿的环境里胶卷随时可能开始发酸，影像随之裂解、溶出，而记载在上面的一切记忆也就无法再被唤醒。台湾有一群人，正参与在这场时间竞赛中，他们隐身于「新加坡工业园区」的片库，这裡一万七千多部的胶卷与百万件的电影文物，成为他们的精神粮食，他们日复一日的在裡头穿梭，带著疑问、带著学习、带著信念。他们在做的，是唤醒这些长年被忽略的胶卷，进而拼凑出那些不复存在的社会氛围和遥远的生活样貌。而这些片库时光，就是电影典藏与胶卷修复者们的日常。

In a hostile time for Asian Americans, the revisiting of an unlikely athlete's story 10 years later gives hope and shatters stereotypes on sport's biggest stage.

北京一个普通的夜晚，晓晓（王晓 饰）坐上了一辆拼车。在这次拼车中，晓晓遇到了两名维吾尔族青年，他们一直在后座用晓晓听不懂的语言交谈，这让她感到不安。然后，司机介入对话，了解到后座的两位是新疆小伙后，开始与他们聊天。气氛逐渐变得活跃，他们开始互相交流、开玩笑，甚至唱歌跳舞。然而，尽管大家都在互动，晓晓似乎无法真正融入这个欢快的氛围。最终，在一首歌曲的间隙，她提前下了车，结束了这段与陌生人的互动。电影展现了文化差异和沟通障碍可以在人际交往中引发的困难。虽然司机和两位新疆小伙能够建立联系，但晓晓似乎因为语言和文化的不同而感到局外人。