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哪咤（傅声）生于三千多年前的商朝，父亲李靖（卢迪），是当时的总兵官，镇守陈塘关。在纣王的统治下，人民饱受压迫，哪咤总是抱打不平而闯祸，因此令其父增添不少麻烦。父子最终水火不容，为救全家哪咤不惜削骨还父削肉还母。然而，哪咤却为一位神仙太乙真人（李允中）以莲花令其复活，并赐给他两件宝物，去解救受苦的百姓。

Naive young lady Karen wants to help her struggling amateur filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho prankster Otto stalks the building where Christopher is shooting a low-grade adult movie in order to keep himself afloat.—WoodyanderIMDB.Com

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

本美术片为剪纸片。猪八戒陪同唐三藏西天取经之后，因过不惯清贫的佛家生活，回到高老庄娶妻生子生孙，倒也一派逍遥。某日，他喊孙子小八戒去村头帮他打酒，顺便接一下要来看他们的孙悟空。小八戒左等右等等不来孙爷爷，却拾了个装满钱币的小猪存钱罐，寻觅失主一番无果，他将它带回了家。孙悟空刚到高老庄，就听到一个小女孩的哭泣声，问之原来丢了钱，忙喊来土地老儿询问，知道小女孩的钱被小八戒捡了去。孙悟空去看猪八戒怎样处置这笔钱，听到他和小八戒正商量如何花它，遂决定好好惩治猪八戒一番。