他戴上小玩具调到10档

可是我不怕今天死 明天死或後天死我都沒差韓國導演朴奉南以幾乎零距離的拍攝帶我們走訪人間煉獄：在孟加拉南部的一個小港口—吉大港，是全世界最大的拆船中心，拆下來的鋼提供了全孟加拉一半以上的年需鋼量。然而令人難以想像的是，這裡沒有任何先進的設備，每天都有超過2萬名來自窮困地區的拆船工人，為了賺取2塊美元而冒險，赤著腳踏在充滿危險的泥灘上，幾個人用雙手拖著重達數噸的鋼板前進，如果鋼板斷落時跑得不夠 快，他們將和棄船一樣葬身於此。平均每年有20名工人死亡，但這些充滿金屬汙染以及有毒氣體的船隻，卻是他們口中來自阿拉的禮物……。節目介紹:紀錄觀點Facebook：★2010TIDF「亞洲獎」評審團特別推薦

讲述在一起诱拐案件，李贞贤饰演的警察“小恩”代替被诱拐的孩子的父母，伪装成诱拐事件的成员投入到诱拐案件中，与诱拐犯展开了周密的心理战的故事，文晶熙饰演与绑架事件相关的人物“惠珍”，京熙妍饰演孩子被绑架的母亲“妍珠”。

《桃太郎 海的神兵》（日语：桃太郎 海の神兵，平假名：ももたろう うみのしんぺい）是日本海军省以“国策动画电影”的名义委托松竹动画研究所于1944年制作的政治宣传动画电影。在当时仍在战争之中的1945年4月12日公映，电影为黑白画面，长度74分钟。

A satellite view of the earth is the first camera shot of this film then it plunges down to the island on which Crusoe (O'Toole) is stranded.A quick and direct start to a film. Every now and again I expected John Cleese to be playing a piano on the beach.There is a scene when the two characters are on a podium after racing, it's straight out of Monty Python. There is definitely something about this film even though there are some cringe worthy singing scenes that, I think are a little ludicrous.It delves into religion, class,education, race, the idea of money and the general cultural relativism that exists between the proverbial "savage" and "civilized" man. Although people have said that Crusoe is the fool in this version, I do tend to see some sense in the things he does, like the need for money in order to keep a work ethic and a civilized notion of transaction of possessions.However his religious spin on everything is a little monotonous and self deceiving. He is put into context of his origin when some Brithish missionaries arrive on the island.He is actually not that bad a fellow at all.Friday (Rountree)is a bit of a hippy in this really and overly idealistic.Some where in the middle of the two characters is the sort of person you could live on a desert island with!I thought Crusoe's shooting himself was a wonderfully dark ending.从星期五的角度出发讲述的鲁宾逊漂流记。