一夜大肚

改编自小说《黄河禁地》。讲述黄河船帮淘沙、捞尸、归葬、守灵四门传人，为了重振船帮，在船帮禁地龙王眼下探险，意外卷入了一场反盗墓的惊险历程中……

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

娇娇是个凡事都要靠妈妈的小懒虫。一天，她在饭桌上挑三拣四时，妈妈半带埋怨半带担心地问她长大了怎么办，不想她立刻申辩说自己早已长大，难道还会变小，妈妈听完觉得好笑又好气，说变小更麻烦。娇娇趁妈妈不注意将饭菜喂了猫猫狗狗后，立在饭桌旁发呆，不一会进入了梦乡。梦里，娇娇变成了好小好小的人儿来到动物王国，起初小动物们都拿她当可人儿来对待，可是由于她过惯了衣来伸手饭来张口的日子，什么都做不来，慢慢地大伙都对她摇头又叹气。这时，发生了一件危险的事。

「你知道浦岛隧道吗？据说只要进入那条隧道，就能得到任何想要的事物；但相对地也会变老——」高中生塔野薰听说了这样的都市传说，碰巧就在当天夜晚，发现了疑似传言所指的隧道。只要进入这条隧道，或许就能救回五年前过世的妹妹。放学后，薰开始独自探勘隧道，却被转学生花城杏子发现。两人为了得到彼此想要的东西而携手合作。充满前所未有体验的惊奇夏天，即将开始。