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电影《人间世》由陶涛、张琪、秦博、范士广四位导演共同执导，陶涛，张琪联合监制，秦博、范士广任总策划。影片选取两位身患绝症的病人，将目光聚焦于她们的家庭，记录下她们人生最后的时光，书写了一首关乎爱的生命诗篇。电影《人间世》是一部不同于电视版的大银幕作品，秉承对生命的敬畏，以全新的主题立意，构建不一样的叙事视角与故事结构，将电影蒙太奇手法创造性融入真实感人的纪录影像，向电影中这些真实，可爱并飞扬着生命力量的人物致以最大的敬意。人间世，爱是感同身受的勇气，触手可及！

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

电影围绕一起巨额跨国贩毒交易展开。雷战军和雷战笙是一对孪生兄弟，弟卷入了当地的黑帮仇杀，假死整容后全身而退，还带走了黑帮的巨额资金。不明内情的哥哥，为了查清弟弟“死亡”真相，跨越国界，千里追凶。已经脱身的弟弟，为了拯救哥哥，以全新的面孔和身份回归，和哥哥一起，在警察和黑道的双重追缉下拼命逃生。

韩国同志导演金赵光寿的最新电影《仅此一夜》由上下两部分组成，上部《夜飞虫》讲述牛郎店两个青春少男的情感纠葛，在此进彼退之间失去了爱的可能；下部《一夜》围绕一位刚结束韩国高考的少年，讲述他跟随一位陌生男子毅然前往首尔度过一晚的见闻。