我的漂亮的瘦子 3

一直以来，艾莲娜（Kelly Sheridan 配音）都过着无忧无虑的生活，整日和花朵仙女们、唱歌、跳舞，开心又自在。不幸的是，一场可怕的疾病传染了开来，花朵枯萎失去了往日的颜色，同伴们亦郁郁寡欢再也不能自由的飞向，看着昔日的乐园变成了如今的荒芜，艾莲娜心痛又焦急。传说守护天使阿祖那（Venus Terzo 配音）知道解决这一切麻烦的方法，可她却身处遥远的梦幻仙境之中，为了拯救赖以生存的家园和朋友们，勇敢的艾莲娜义无反顾的踏上了冒险的旅程。在漫长而遥远的旅途中困难重重，善良天真的艾莲娜会遭遇怎样的奇遇呢？她又能否顺利的完成任务，重建美好的家园呢？

One of Quentin Tarantino's favorite movies.

在一处偏僻蛮荒的山野角落，有一家名为世缘客店的小客栈。虽然世缘客店地处要冲，客流不断，但是此地闹鬼的传闻甚嚣尘上，令许多胆小之人避之不及。这一日，客栈迎来了英气十足的中州府捕吏齐天远（黄国强 饰）。此前一段时间，江洋大盗李元甫横行州府，作恶多端。齐天远此行的目的正是为了捉拿李元甫归案。店家态度冷淡，原不欲接纳，而天远执意不肯去，坚决住店。夜幕降临，天远在店中偶然遇见美丽的女鬼梅英（董晓燕 饰），并经对方指点发现了埋在后院的尸体。经过一番调查，天远终于弄清尸体之谜，也发现了店家李应（徐小健 饰）的险恶阴谋……本片根据《聊斋》中《梅女》的故事改编。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.