麻辣女兵之小米回国

东京，冬季。青年佑太是一位胆小的青年，少女千鹤则是一位不走运的少女。二人都经历了多次不愉快的恋爱经历，而现在，他们在交往。这一天的约会，佑太打算向千鹤告白，而千鹤却打算提出分手以免被甩。正在双方欲言又止之时，佑太离席接听一通电话，而从佑太给千鹤的礼物中，居然突然蹦出一头小毛驴！淘气的小毛驴将千鹤的提包衔走，2人的约会计划彻底被打乱。这样的发展让两人措手不及，更给了两人重新审视这份爱情的机会。一只在东京大街上奔跑的小毛驴，牵动了恋爱中两人的心思。东京塔下的这段爱情，是否能有情人终成眷属呢？

一对有着创业头脑的夫妇决定在一个交在宜人湖的废弃营地里开设一个恐怖主题营地。这个营地20 年前曾发生过可怕的事情：一位小女孩在这里被绑架，她的父母也被残忍杀害。这对夫妇按照计划开设了他们设想的营地，可没有想到危险与恐怖也悄然接近。

An independent movie by Frances Pan adapted from the original novel by Haruki Murakami.村上春树短篇改编。

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)