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〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains

In 1672, two witches (Jennifer and her father Daniel) were burned by puritan Jonathan Wooley. In revenge, Jennifer cursed all future generations of the Wooley family, that the sons will always marry the wrong woman and be miserable. In the 20th century, a bolt of lightning frees Jennifer and her father from the tree that had kept their souls imprisoned. Jennifer assumes corporeal form and decides to make up-and-coming politician Wallace Wooley, then unhappily engaged, even more miserable by getting him to fall in love with her before his wedding. Wallace is a straight arrow, though, and Jennifer has to resort to a love potion. As we all know, love potions tend to backfire, with comedic results.

娃娃的父母在一次交通事故中双双去世，两人的生前好友朱妈妈收留了孤苦伶仃的娃娃，初来乍到的娃娃带着她的宠物迷你猪芭乐，它是她最好的朋友和心灵的慰藉。娃娃和芭乐的到来在朱妈妈家上下引起了不小的骚动，朱妈妈带娃娃十分亲切，将她视作是自己的亲生孩子。娃娃就连上学也带着芭乐，这给学校带来了困扰，却也令校园里增添了快乐。娃娃结识了一群侠肝义胆的好朋友们，某日，芭乐走丢了，心急如焚的娃娃决定独自踏上寻找芭乐的旅途。娃娃的哥哥朱皮带来了自己的一干好友协助娃娃，一群小伙伴笑笑闹闹的上路了，在路上等待着他们的会是什么呢？

夏吾冬是一个善良的维吾尔族少年，森林里一只狐狸妈妈误入猎人陷阱，幸得夏吾冬发现后被救下，之后他还与狐狸一家成了朋友。城里有一位正在招驸马的公主，她拥有一面可以照到天上、地下的魔镜，只有能躲过魔镜的搜寻的求婚者才能与公主结婚，否则就会被杀头。夏吾冬无法坐视不管公主的残忍，于是他也去向公主求婚，公主给他三次躲藏的机会。在前两次躲藏中，夏吾冬都没能逃过魔镜的法力，最后一次在狐狸一家的帮助下，魔镜怎么也没到他。最后公主守约答应与他结婚，可是在结婚前夏吾冬就离开了皇宫，并留给公主一句话：“狠毒的女人只有嫁给魔鬼才相配。” 公主气得昏了过去。该动画是由1981年上海美术电影制片厂出品，深受当时孩子们的喜爱。