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Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

这一天，汤姆正百无聊赖戏耍杰瑞解闷儿，突然门铃声响起。女主人前去看门，原来是她的朋友将三只嗷嗷待哺憨态可掬的小猫送来寄养。女主人充满爱心地将小猫接进屋内，并嘱咐汤姆好好照看他们。不久女主人外出购物，汤姆责无旁贷担起了保护小猫们的重任。谁知，这三只小猫长着天使的外表，却有恶魔一般的心。他们百般戏耍汤姆，用尽一切狡黠伎俩。一旁看热闹的杰瑞幸灾乐祸，没想到自己也惹火烧身，遭到小猫们的戏弄。吃尽苦头的汤姆和杰瑞联合起来，决定好好教训这三只无法无天的小坏蛋。一场“大人”和“小鬼”的激烈较量就此展开……

導演王風原為五十年代黃飛鴻電影御用編劇，一向擅拍民間傳奇，本片是他於1978年執導的神話喜劇。故事描述，「活佛」濟公（野峰）與「呂祖」呂洞賓（華倫），這兩位民間傳奇人物鬥智鬥法的有趣過程；濟、呂皆非「正經人」，好打抱不平外，使人最感興趣的可能就是，他們的種種風流韻事；片中三次鬥法就因爛賭二妻（邵音音）、妓女（夏萍）、狐狸精（葛荻華）及水鳳仙（麥華美）等女引起，亦是全片三次高潮所在。

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