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该影片改编自同名小说，讲述暴风雪后一名女大学生，不得不与一群陌生人困在山区一个的高速公路休息区，与世隔绝。雪上加霜的是，她发现了有人的车里藏了一个被绑架的孩子，她不得不通过一场生死决斗来找出隐藏其中的绑架者。

《青春兒女》的題材輕鬆感人，充分表現出年輕一代生活的愉快。在人生的歷程上，年輕人朝氣蓬勃，正像燦爛可愛的春天。《青春兒女》的編織正予人以一份歡悅，讓觀眾親切地重溫年輕時期的生活，把生命的熱力燃燒起來。活躍在《青春兒女》中的人們是可愛的，瞧吧：葛蘭、林翠、陳厚、喬宏這些影星們，有歌有舞、有笑有玩，從課室鬧到宿舍，從宿舍鬧到郊外，每一個生活片段，就等於一闋青春進行曲中的音符，引人走向生命溫暖的一面，構成了一幅人人喜愛的學府風光浮世繪。

从小右臂就具神力的大陆青年刘晶（周星驰 饰）来港不久便接连遭遇倒霉事，先是钱包被偷，而后行李也遭人抢劫，不过也因此结识放荡不羁的潇洒（钟镇涛 饰）。刘晶四处寻找工作，却迟迟未定，甚至还卷入黑帮斗争之中。走投无路之际，刘晶和潇洒决定参加散打比赛，更阴差阳错拜入具有黑社会性质的赵东拳馆。在黑社会师傅（成奎安 饰）的带领下，二人随同前去夜袭霍家拳馆的霍环师傅，籍此机缘，刘晶得以拜入霍师傅门下。二人都对师傅的女儿嘉敏（张敏 饰）存有好感，也由此闹出不少笑话。然而门下大师兄（尹扬明 饰）嫉恨刘晶，设计陷害，致使刘晶被逐出师门。他的未来将何去何从……

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.