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李佩英（尤敏 饰）从小就和父亲李伯铭（王引 饰）过着相依为命的生活，一天，李佩英的姨母曾太太（蓝天虹 饰）突然从意大利回国，她莫名其妙的对李佩英父女两人大献殷情，还送了一台非常昂贵的钢琴给李佩英，让李佩英百思不得其解的是，父亲对于曾太太的态度非常的冷淡。原来，曾太太其实正是李佩英的亲生母亲，早年间，在生下了女儿之后，曾太太决定和自己的情人私奔，丢下了嗷嗷待哺的女儿不管不顾，如今，曾太太良心发现，想要将李佩英从李伯铭的身边夺走。在李佩英生日当天，家中举行了盛大的误会，可就在这个节骨眼上，李伯铭遭遇了车祸，脚部受伤，生活无法自理。

南唐后主李煜爱好诗同，处理国事则优柔寡断。宋太祖赵匡胤欲征服南唐，遣使入唐，要李煜入宋朝觐。李煜派老臣徐铉与御弟为代表入宋，御弟被扣作人质。徐铉返国后，李煜听信谗言，拘重臣林仁肇等下狱；林等自杀以表忠贞。栋梁摧折，国运倾颓。赵匡胤率大军攻南唐，金陵失守。李煜与周后沦为降臣，幽禁小楼。赵匡胤驾崩，其弟光义即位，是为太宗。光义垂涎周后美色，欲强幸；周后力拒，光义无奈只有释放周后，但已暗伏杀机。他藉辞李煜填词言称"故国不堪回首月明中"，有思念故国之意，赐酒将李煜毒死；周后也饮下壶中余酒，实践同生共死之约。

草庙村被屠，少年张小凡双亲离世，被青云门大竹峰收留。机缘巧合之下，他习得佛门天音功法，又意外获得魔教法器烧火棍，踏上强者之路的同时，也让他陷入了巨大的危机。至魔法器的现世，与陆雪琪、碧瑶、田灵儿三个女生间命运的交错，都让他原本单纯的人生轨迹充满变数。一个勇者驳斥命运的传奇之旅就此展开......

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.