东北黑道二十年

这一天，小老鼠杰瑞收到叔叔佩克斯的电报，他这位住在得州的叔叔将带着心爱的吉他来到杰瑞的住处看电视，并作短暂停留。看到电报后杰瑞非常高兴，这时敲门声响起，带着牛仔帽、穿马靴、留了两簇浓密白胡子的叔叔走进房间，自顾自地为侄子弹唱起来。谁知唱到高潮处时，琴弦突然断掉。叔叔竟然走进房间，从正在睡觉的汤姆脸上揪了一根胡子下来当琴弦。杰瑞想方设法阻止叔叔的疯狂举动，但三番五次过后，汤姆却怕起了这个混不吝的老鼠叔叔。他四处躲藏，可是总也无法逃避胡子被揪掉的命运。杰瑞叔叔到来，无疑是汤姆的前所未有的噩梦……

这是一个关于爱与奉献的都市怪谈。一天晚上，在胡同深处的小餐馆里，男人在女人面前吃下大量的植物，把自己变成了女人的食物。

一伙自称幕屋一门的强人在江户树起了“新阴流正统”的道场大旗，这让柳生一门颜面扫地，群情激昂的众年轻门徒决定偷袭幕屋道场，谁知竟被早有准备的敌人反杀。为报血海深仇，更为了维护柳生新阴流的尊严，十兵卫和师弟庄田率领十名精干弟子深入虎穴，与一生中所遇到的最强大的对手拼死血战到底。。。

Unavailable on home video for many years (except perhaps as a grainy, nth-generation VHS bootleg), Penelope Spheeris' seminal document of the young 1979-1980 Los Angeles punk scene includes chaotic live performances by now-legendary groups like Black Flag (with short-lived lead singer Ron "Chavo Pederast" Reyes), X (giving themselves stick-and-poke tattoos) and the Germs (whose unpredictable lead singer Darby Crash would commit suicide before the film's release) interwoven with talking-head interviews with teenage punks and, most entertainingly, older club owners trying very hard to describe a growing form of music they were clearly unprepared for. The footage of Fear's confrontational set would later grab the attention of John Belushi, who snagged the band a 1981 appearance on Saturday Night Live (and resulted in ,000 in damage to the studio). - Tom Fritsche