中国龙电影

Andy Warhol′s Screen Tests were filmed from early 1964 to November 1966. Factory visitors who had potential "star" quality would be seated in front of a tripod mounted camera, asked to be as still as possible, and told not to blink while the camera was running. Warhol manipulated light and shadow in increasingly inventive ways to capture the appearance, style, personality, and mood of both famous and lesser-known visitors to his studio, the Factory. His subjects included Dennis Hopper, Gerard Malanga, Edie Sedgwick, Susan Sontag, and Salvador Dalí. Although each film was shot at standard sound speed, or twenty-four frames per second, Warhol specified that prints be projected at a slower speed of sixteen frames per second, a rate used in the projection of silent films. The result is an unusual fluidity of pace, a rhythm gently at odds with the starkness of the lighting and the boldness of the close-ups of face and hair.In total more than 500 Screen Tests were made. Helmut was the seventh.

1978年深秋，在一座依山傍水、幽静孤立的小楼里，闲居多年的李力将军热切渴望能重新出来工作。恰在此时，他与失散21年的老朋友周芹重逢了，他们回忆起往事：1949年秋，刚从美国留学归来在东方大学任英文讲师的周芹，由于继续用英语讲课，遭到激进学生的围攻和军代表的责难。这时，军管会秘书长、东方大学校友李力来到自己母校，他宣布，东方大学就是东方大学，它需要为我们培养出多方面的人材。也正是这一次，李力结识了周芹和外语系学生林书痕。李力多方保护和支持周芹，后来，周芹在李力和林书痕之间充当了红娘。婚后不久，李力帮助一个有所谓"特嫌"的教会大学生物系毕业生梁九邨，并为他安排了工作。接着李力奉命执行"改造战犯，挽救有用人才"的任务。他发现死刑犯、国民党少将特级工程师陈天寿有民族气节和真才实学，便冒着风险将陈天寿派到水电站工地监督使用。林书痕对这一切忧心忡忡。果然，军委会改组时，李力被莫名其妙地停职了。大跃进年代，复出的李力担任一个水利工程的总指挥。因无法控制泥沙淤积，在技术处工作的陈天寿建议这个工程暂时下马，却不料触怒了李力，他将陈天寿赶出技术处，下放到桥梁工地。在一次排险时，陈天寿壮烈牺牲……回顾往昔，面对现实，李力陷入深深的思索。他仍然渴望重新工作，但当他知道是妻子背地里在拼命阻止自己出来工作时，对妻子大动肝火。林书痕终于忍不住了，她想起20年来的风雨坎坷，心痛欲碎。夜晚，李力接到了老首长赵司令员要他出来重新工作的信，兴奋不已。第二天清晨，林书痕怀着极其复杂的心情为丈夫送行，她用担忧的目光看着丈夫乘坐的吉普车迎着朝阳在颠簸的路上疾驶远去……

迪士尼短片动画，迪士尼第一部小熊维尼的作品。小熊维尼是英国儿童文学作家 A.A.Milne笔下一只爱吃蜂蜜的熊，一系列作品描写的正是他儿子罗宾和玩具动物的假象故事，迪士尼取得原作者A.A.Milne授权后，首度将其书中的第一章画成短片动画片【小熊维尼与蜂蜜树】，于1966年推出。这篇短片后来在1977年被收在迪士尼第22部经典动画电影【小熊维尼历险记】第一段。

Written and directed by Oscar nominee Ryûsuke Hamaguchi, Gift is set in Mizubiki Village in Nagano, a town located on a plateau rich in nature not so far from Tokyo. The number of immigrants is on the rise, with very gradual development. Takumi and his daughter Hana, who have lived there for generations, lead a modest life, following the cycle of nature. One day, a plan is hatched to build a glamping site near Takumi’s house: an entertainment agency, which has fallen into financial difficulties due to the COVID disaster, has obtained a government subsidy and plans to set up a glamping site. However, the discovery that they intend to discharge sewage into the village water source causes unrest in the village, and the aftermath affects Takumi’s life as well.