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The Atomic Tree leads you on an immersive journey through the memories held within the Yamaki pine, a 400 year-old Japanese White Pine bonsai tree that survived the Atomic blast at Hiroshima. From its birthplace in the sacred island of Miyajima and ancient cedar forests imbued with Kami spirits, to the Yamaki family home in Hiroshima where it was cared for 350 years and witnessed and survived the atomic blast. Viewers will experience the intricate "living strands of relationship" woven between the human and non-human worlds in the places the tree has lived. What are the connections and conversations that exist within the memories of the tree? How can those memories help us regain a sense of kinship with the natural world?

这部精美的复仇动作惊悚片讲述了无情的前保镖玉珠（全钟瑞饰）追捕崔（金智勋饰）的故事，而崔是导致她的好朋友敏熙（朴有林饰）死亡的罪魁祸首。

本片由叶念琛导演和编剧，讲述14个男女之间在情人节发生的5段爱情关系。爱情试用期风（胡清蓝 饰）琪（唐素琪饰）开始交往琪却不肯公开，还订下了爱情三个月试用期。情人节正好是试用期满的日子，风会修成正果吗？无声胜有声视音乐为生命的歌手伟（侧田 饰）爱上了开花店的宝（邓丽欣 饰）。情人节录了一首歌打算表白，却被告知宝有弱听。这段感情会开花吗？一日情人龙和虎从谈过恋爱，两个希望找一个女孩一起过情人节。在网上认识的女孩金鱼（杨爱瑾 饰）愿意给二人当一日情人。这个情人节会有奇迹发生吗？最后晚餐祖（梁祖尧 饰）和芳（谢安琪 饰）相恋七年发现彼此不和，决定共进情人节晚餐后分手。但前尘往事又一次涌上心头。他们会不会分手？分身大情圣辉（森美 饰）计划利用了四位女友背境上的特点，预备在情人节的早餐，午饭，下午茶和晚饭时间分别相聚。可一切渐渐失控……

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.