普法栏目剧单行道大结局

A woman's struggle for equality in Japan in the 1880s. Eiko Hirayama leaves Okayama for Tokyo, where she helps the fledgling Liberal Party and falls in love with its leader Kentaro Omoi, just as the party is being disbanded by the government. Eiko and Omoi are jailed because of a fire at a factory instigated by Chiyo, a servant girl from Eiko's home in Okayama, who was sold to slavery. A few years later the 1889 constitution is proclaimed, Eiko, Omoi, and Chiyo are pardoned, and the Liberal Party is reinaugurated. However Omoi does not campaign for women's rights.

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

电影讲述了30出头的平面设计师徐英(千禹熙 饰)由于患有耳鸣症和头晕症状，再加上自己是非正式员工和与家人之间的问题等不安因素，在42楼高层办公室工作对她非常艰难。虽然与在公司内很受欢迎的镇秀(刘太旿 饰)享受着甜蜜的办公室恋情，但这一关系也同样岌岌可危。某一天，徐英与在都市楼群里像蜘蛛侠般单靠着一根绳的男人(郑在光 饰)隔着玻璃窗互相对望，渐渐地这个男人开始抓住她疲惫的心。

多莉娅和父母生活在一间农场里，某日，一场龙卷风袭击了农场，多莉娅和她的小狗托托被卷入了由邪恶魔女巴希姆所统治的玛奇国中，她想要回家，想要回到爸爸妈妈的身边，然而，巴希姆却不同意，并且想方设法的阻挠多莉娅。经过他人指点，多莉娅前去寻找奥茨王，只有他才能够帮助她踏上返家的旅途。途中，多莉娅结识了没有大脑的稻草人、没有心的铁皮人和没有胆量的狮子，四人结成了旅伴。稻草人想要得到大脑，铁皮人想要一颗真正的心，而狮子则想找回失落的勇气，四人各怀心思，向着目的地进发。最终，他们到达了奥茨王的处所，奥茨王告诉他们，离开玛奇国的方法只有一个，那就是彻底打败巴希姆。