年轻女员工的滋味

阳光明媚的一天，汤姆独自坐在码头垂钓。突然有鱼咬钩，力量之大，险些将他拖进水里。他好不容易抓住鱼竿，用尽力气收回鱼线，结果发现是馋嘴的小老鼠杰瑞吃掉了他的鱼饵。汤姆当然不会做赔本的买卖，他想好好整治杰瑞一番，最终伤了自己。愤怒的老猫继续追赶，机灵的杰瑞则逃进了大狗史派克的嘴里。汤姆被史派克好一通整治，还遭到螃蟹的攻击。于是他设计让捉狗队捉到了史派克。关键时刻，幸亏杰瑞出手救下了大狗。为了报答杰瑞的救命之恩，史派克送给杰瑞一枚哨子，遇到困难时吹哨子史派克就会立刻赶到。汤姆面临着更大的挑战……

故事以美国南北战争结束后的中西部旷野为背景，托马斯·道森（约翰·韦恩 John Wayne 饰）白手起家，在养子马修（蒙哥马利·克利夫特 Montgomery Clift 饰）和帮手格鲁特的协助下，他历时14年的辛苦经营，终于在美国德州的一片大草原上建立起自己的大牧场。因为南方经济萧条，托马斯决定把牧场里超过一万头的牛赶往北方的密苏里州贩卖。他召集人马，充分准备，这群西部牛仔赶着大批牛群，开启了这趟千里之旅。这趟艰难险阻的旅途让牛仔们越发疲倦，也让牧场主托马斯越发固执严厉，逐渐失去人心。终于，马修带头反抗，其他牛仔们也纷纷跟从。把受伤的托马斯留在原地后，这支大部队向另一个方向出发。这趟跋涉千里的赶牛之旅能否走向成功？

一个年少被猥亵而停止跳舞的女人，在噩梦重演的中年，选择用荡妇式的自毁和男权社会对抗。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.