吴君如演过的电影

电影《小强大战外星人》讲述了王宁饰演的“公务员”杨小强和修睿饰演的王胖子，为了追求李梦饰演的刘芬芬而勇斗富二代，导致双双下岗，从“公务员”沦落为街头屌丝。机缘巧合下，两人竟发现一个惊天阴谋——情敌富二代扮演的外星人是假的，但真的外星人也来了。而且，外星人入侵地球使用了高科技生化武器。

羽仁进将本片定义为《初恋·地狱篇》有着强烈的指涉性，青春里所有的发生我们根本没有时间思考，没有时间去辨识我们获得的一切，所有的青春姿态都来自童年的境遇，神伊童年母亲的离家出走给了他很大的悲伤，导演以远方的烟囱和下坡的路径标记着他们生活里的相互远去，童年的种子在青春发芽，疯长的隔阂来源于童年所见识的母亲的背叛。

本片讲述一群为了成为消失的王室宝物的主人，而聚集在海上的义贼与海盗们的壮阔冒险故事。2014的《海盗》是本片的前作，但人物及故事皆为全新设定。

"Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee."