我真的很爱你

故事发生在20世纪末，日渐升高的犯罪率令警视厅不得不成立了特搜班，他们使用的是特制的装备和武器，拥有超强战力，这样的一群人，他们被称为“Kerberos”。在Kerberos的搜查和制裁之下，犯罪率有了明显的下降，然而，随着时间的推移，因为Kerberos进行越权调查而导致的犯罪事件却屡屡发生，渐渐的，民众们反对Kerberos的呼声越来越大，市民们希望政府能够解散Kerberos，让他们重新获得安全感。1995年，政府终于颁布了解散Kerberos的命令，然而，有一部分队员拒绝服从命令，一场革命爆发了，最终，Kerberos仅剩三名队员，其中，红一携带着宝贵的强化服和武器逃往国外，躲避追捕。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

沈昌(王鍾)生性內向、憂鬱，與父親缺乏溝通，不料被人利用而誤入歧途。最後逃不過暴力的魔爪與色慾的引誘，竟出賣父親，讓父親慘遭打死。沈昌背悔交加，獨家闖入賊\巢，將他們逐一擊斃，最後自己也陷入瘋狂狀態…

1932年联华出品，为蔡楚生的第一步执导作品。罗文是名作家，性喜浪漫，与交际花李惠兰成为“知音”。其妻华素文好言相劝，罗文却说“你把生活看得那样严肃，和你在一起令我感到寂寞”。在李惠兰的诱惑下，罗文强行与素文离婚，素文只得到乡下一家小学当教员。李惠兰与罗文结婚后依然时常外出应酬，因罗文忙于笔耕无暇陪伴，投入他人怀抱，并卷走了罗文小说《天堂》的稿酬。罗文悔恨交加，粉红色的梦想破灭。素文十分感慨，写就《弃妇泪史》，署名罗文。罗文苦寻素云，一家团圆。