hannibal

In court for murder, Professor Moriarty is released seconds before Holmes arrives, too late, with vital evidence. Free again Moriarty vows to Holmes that his next crime will be so fiendish and amazing that Holmes's reputation will be finished. Moriarty sets about a fiendish plot involving the crown jewels and a series of mysteries to distract Holmes's mind.I enjoy most of this series as they all seem to run to the same formula. Here the plot goes back to basics and adds more of the mystery and less of the comedy. The plot is an enjoyable battle of wits between the two great minds. The downside is that the side-mystery that Moriarty sets up takes up the majority of the time and the two don't cross swords as well as they do in a gentlemanly beginning. The mystery surrounding Miss Brandon works OK but not really great as you know the whole time who is behind it and why. The jump to the crown jewels is too easily made and is a bit of a letdown.The comedy is less evident than usual but is still there. However it is overwhelmed by the more serious side. Bruce still does well but I was glad that he stood up to Holmes more than usual – telling him off for treating him like a child and such like. Rathbone is a good Holmes but his logic was off here and I wasn't as impressed by him as I usually am. Zucco is an interesting foil, but doesn't get enough time to work here. Lupino in an early role is interesting but a little too heavy and tads to overplay her tension a bit.Overall this is an OK addition to the series. The plot is reasonable but focuses too much on the diversion than the central characters and the reduction in comedy makes it feel a lot heavier than usual.

Ran (Shimamura) comes to Japan, and makes an immediate impression by assassinating a Yakuza boss and his associates, while they dine in a restaurant. Escaping the scene, she hides out in the restaurant owned by Yoichi (Yamato), and thanks him for covering for her with her body. About three hours later – or maybe it just seems that way – she moves on with the rest of her mission, which is to extract revenge on those responsible for the death of her sister. To this end, she works at the same hostess club as her late sibling, and waits for opportunity to present itself. However, the remaining target (Hakruyu), aware of his peril, kidnaps Ran’s friend Chun Li, and uses her to lure Ran out of the darkness.

“石头”石振邦（张译 饰）和杨武（潘斌龙 饰）这对落魄兄弟经营五金店艰难维生，为追讨欠款，他们不得不暂时照看欠债人的孩子芊芊。两人在与芊芊的相处中从最初嫌弃“拖油瓶”竟潜移默化地转变成千方百计“为女儿战斗”，生活粗放的他们内心也变得越来越柔软……

Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest: Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts & Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor / captain / narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.