星月服

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

这是一支来自韩国动画工作室도기코기 Doggie Corgi出品的超萌动画合集，动画以一只呆萌小柯基为主角，讲述它和朋友们在一起的日常，可爱的狗子们搭配可爱的画风，简直不要太萌！

1993年独立制作纪录片《彼岸》（1995年完成，此片参加1995年法国真实电影节；1995年香港国际电影节；1995年日本山形国际纪录片电影节；1995年德国奥格斯堡电影节；1996年葡萄牙电影节等）。它叙述一群未考上大学的外地孩子的明星梦碎的故事。他们来到北京电影学院学习，在实验剧《关于〈彼岸〉的语法讨论》中饰演角色。他们连演七场，很多著名艺术家都前往观看，就他们的真实而富于激情的表演给予高度评价。蒋樾为此跟拍了四个月，但在戏演完的同时，他也因经费短缺而被迫停机。三个月后他再次见到这群孩子时，他们已被命运无情地抛回了残酷的现实，无望地在北京漂流。有的女孩成了歌厅门口招徕顾客的小姐，有的男孩则成了骑车给人送方便面的学徒。又过了四个月后，他们实在撑不住了，只能满含绝望地离去。蒋樾追踪其中三个孩子踏上返乡之途。他们回到农村之后，竟然自己排了一出戏叫《一只飞过了天堂的小鸟》，在村子里上给几十个老人演了一场。戏的一开始就在修理一台拖拉机，到剧终也没修好，最后一群人在荒野里推着拖拉机行走，他们的美梦就此化为乌有。

阿龙（林耀声 饰）和细威（胡子彤 饰）是一对在香港屋邨长大的难兄难弟，终日游手好闲，惹是生非。卢校长（廖启智 饰）力排众议组建香港第一支华人少年棒球队——沙燕队，招揽包括二人在内的十名“问题学生”入队。青春郁结的沙燕队众人，被一场又一场的大败羞辱后，在放弃与坚持之间徘徊，一念之间、挣扎之中，他们修炼勇气、突破自己，战胜郁结，打出自己的光辉岁月。终于，沙燕队迎来了与强敌日本水牛队的终极一战……