情意拳拳

高公乐（刘德华）原本是一名医生，由于太投入工作常常会将家庭忽略，直到妻子梁紫晴（蔡卓妍）因一次意外身亡，他才明白到家庭对他的重要，转职做了救护员，过上了有规律的生活，但对妻子的思念之情一直没有减少。阿Sam（杨采尼）患有严重心脏病，高太身亡后捐出的心脏令她获得新生，却也自此开始对丈夫Derek（刘德华）疑神疑鬼，终导致对方无法忍受弃她而去。阿Sam移植过来的心脏出现大问题生命垂危，高公乐偶尔发现她与几年前的自己十分相似后，决定替她寻回Derek的下落，而高公乐的举动，也令阿Sam明白了何为真爱。

荣誉：1964奥伯豪森国际短片电影节优秀奖导演点评：这部作品是基于井上洋介先生的漫画集《箱类图鉴》，由当时借住在我这里的古川taku等年轻制作人员们自由发挥的作品。采用了小野洋子女士的配乐。当时小野女士刚和一柳慧先生结婚，还开办了先锋艺术个展。我在片中便使用了小野女士的磁带，她的配乐真是非常神秘。

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)

因为九龙城寨被拆，这部电影随即被誉为不能重拍的经典。蓝乃才将摄影机放在当年三不管的九龙城寨，以沉郁和蓝调的摄影风格，纪录了殖民地时期城寨的混乱和暴戾，一对孤儿兄弟在赌档、毒品、色情架步中成长打滚，江湖动作片中少有地拍出伦理片的感人兄弟情；最后一场困兽式的死亡搏斗，以手提摄影机拍出疯狂与悲凉，被大特写杂志选为当年十大电影。