野外露出投稿

老虎的牙齿又大又锋利，能毫不费力地咬断铁条和树木，提起它们，森林中的小动物都很害怕。聪明的狐狸听说了，拍拍胸脯说它有办法治老虎。狐狸敲开老虎的门，说要送它吃比肉还好吃的糖，老虎起初不信，可是一颗未吃完就忍不住伸手要第二颗，狐狸见势将一盒糖都给了它，并说以后还会送糖来。随着狐狸送糖次数以及种类的增多，它渐渐成了老虎最信赖的朋友。狮大哥上门做客，老虎拿糖招待，狮子指指自己没牙的嘴巴告诫老虎不要再上狐狸的当，老虎决定再见狐狸时给它点颜色看看。但是狐狸又拿糖给老虎时，连狮子都没经得起诱惑，新的糖是好玩的泡泡糖。终于，老虎迎来了牙疼难忍的时刻，狐狸摇身一变成了牙医。

阿Sam（张国荣 饰）是一位曾赴法国留学的银行家，虽做着外人看似传统的工作，实则对绘画很有研究，钟爱艺术。他和女友Carol（邱淑贞 饰）一起生活的六年，感情甜蜜。近来，Carol的画廊正在争取与法国的一位艺术家合作，相关事宜需要面谈，她却因工作繁忙走不开，阿Sam便主动请缨帮忙前去，同时，Carol还委托了独居巴黎的表妹阿Jane（张柏芝 饰）协助联系艺术家。等阿Sam抵达巴黎，不料那位艺术家却需出差德国长达一个礼拜，他只好同阿Jane消磨时间。初见姐夫的阿Jane对这个银行家很不屑，直到慢慢惊诧于他的绘画才华和成熟魅力，她竟渐渐对他暗生情愫。沉浸在钟爱的艺术之都巴黎，面对着敢爱敢恨的妙龄少女，一切都那么浪漫新鲜，仿佛用惯了右手的人突然想试试左手一般，阿Sam将如何选择……本片是张国荣自导自演的一部音乐特辑，在巴黎取景拍摄完成，于1999年10月10日在翡翠台首播。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

小春和彩乃是两个住在一起的朋友，两人在生活和工作中有着很深的默契。平淡美好的生活突然发生了变化，彩乃告知小春自己怀孕了，不知道父亲是谁，但彩乃决定生下这个孩子。故事以小春的视角通过讲述经过怀孕、单亲妈妈的人生决断，面对友情、工作、家人，描绘对过去的固执和现实，以及其未来，记录下这10个月发生的辛苦与美好的故事。