2020年日本高清一卡二卡三卡四卡

这是徐风暴Storm的第二个个人单口喜剧专场，主要讲述了他在2020年感触最深的四件事：饭圈的跋扈，疫情的混乱，离别的痛楚，男女的战争。片头片尾也加上了徐风暴独特的尝试，希望加单口喜剧多元化的决心。

在留下了痛苦的过去之后，莎拉搬入新公寓中生活，原本以为可亲的邻居却隐藏着可怕的秘密。

美術組擔任助理的子淇，這天劇組外景拍攝不順，臨危受命趕回公司拿道具。沒想到，一出發就擦撞計程車，司機嚷嚷著報警、乘客急著接小孩，為了解決眼前窘境，只得開車載乘客一程。但一波未平另波又起，眼前認不出的乘客竟是多年未見、心有隔閡的姊姊。

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)