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〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains

福贡县匹河怒族乡沙瓦村坐落在怒江大峡谷碧罗雪山深处，位于中国最贫困的“三区三州”之一云南怒江傈僳族自治州。这里交通极为不便，村里能通行的只有一条小山路，肩背人扛是唯一的交通方式，世世代代极为贫苦。“想要一条路”，是以邓阿言为代表的当地村民共同的心声。影片以沙瓦村民们的故事为主线，讲述了这个古老的村庄在扶贫大背景下经过4年、1000多个日夜 “一步跨越千年”的命运变迁史，是一部浓缩的中国减贫影像志。

为人正直的检查官杜丘（高仓健 饰）被人控告犯有抢劫、强奸罪，自知清白的他为了洗清冤屈，开始了一边躲避警察追捕、一边查找事实真相的逃亡。途中，杜丘于山中冒险救下牧场主的女儿真由美（中野良子 饰），两人生出真情。在真由美及其父亲的帮助下，历尽艰险的杜丘终于拨开重重迷雾，在一家精神 病院，他找到了诬告自己的横路进二，但对方已神智不清。为了将其中隐情一一揭出，杜丘装病住进这家医院，开始小心翼翼的调查求证，巨大的政治阴谋遂即浮出水面。

故事承接上一部，开完釜山的列车带来丧尸病毒。转眼四年过去，病毒蔓延全国，朝鲜半岛遭到全世界遗弃。退伍军人正锡（姜东元 饰）在最后时刻带着家人们登上难民船，谁知船上依然混入了被感染者，悲剧再度上演。最终，难民船改道开往中国香港，侥幸逃生的正锡以难民身份在这座城市的最底层艰难求生。偶然机缘，他接到一个“地下任务”，美国人在韩国遗失了巨额现金，亟需有人能够潜入这片死亡区域把钱取回来，与此同时这些人能够取得丰厚报酬。看在钱的份上，正锡和一群同伴踏上了这片熟悉而又陌生的土地。夜幕降临的韩国，四周一片死寂，而那些沉睡良久的丧尸，似乎正等待着“食物”的到来……